BEATO ANGELICO: San Marco, Florence, 1436–1445

Posthumous portrait of Fra Angelico by Luca Signorelli

Fra Angelico (c. 1395 – February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having "a rare and perfect talent". He was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole) and by Vasari as Fra Giovanni Angelico (Brother John the Angelic One).

Fra Angelico is known in Italy as il Beato Angelico, the term "Il Beato" ("Blessed One") being already in use during his lifetime or shortly thereafter, in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, in recognition of the holiness of his life, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows as a Dominican friar, and was used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus—"Blessed Giovanni of Fiesole, nicknamed Angelico".

Vasari wrote of Fra Angelico:

But it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety.

In 1436 Fra Angelico was one of a number of the friars from Fiesole who moved to the newly-built Friary of San Marco in Florence. This was an important move which put him in the centre of artistic activity of the region and brought about the patronage of one of the wealthiest and most powerful members of the city's Signoria, Cosimo de' Medici, who had a large cell (later occupied by Savonarola) reserved for himself at the friary in order that he might retreat from the world. It was, according to Vasari, at Cosimo's urging that Fra Angelico set about the task of decorating the monastery, including the magnificent Chapter House fresco, the often-reproduced Annunciation at the top of the stairs to the cells, the Maesta with Saints and the many smaller devotional frescoes depicting aspects of the Life of Christ that adorn the walls of each cell.

The Maestà (Madonna enthroned) with Saints; San Marco, Florence

In 1439 he completed one of his most famous works, the Altarpiece for St. Marco's, Florence. The result was unusual for its times. Images of the enthroned Madonna and Child surrounded by saints were common, but they usually depicted a setting that was clearly heavenlike, in which saints and angels hovered about as divine presences rather than people. But in this instance, the saints stand squarely within the space, grouped in a natural way as if they were able to converse about the shared experience of witnessing the Virgin in glory. Paintings such as this, known as Sacred Conversations, were to become the major commissions of Giovanni Bellini, Perugino and Raphael.

 

Visit Florence's culture and stay at Hotel Mario's

 

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

Internet site: www.hotelmarios.com 

ART IN FLORENCE

Florence has a legendary artistic heritage. Cimabue and Giotto, the fathers of Italian painting, lived in Florence as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.

Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages" the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis Buonarroti' s house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones. Great monuments are the landmarks of Florentine artistic culture: the Florence Baptistery with its mosaics; the Cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archeological museum includes documents of Etruscan civilization. In fact the city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.

Uffizi hallway

Florentine architects such as Filippo Brunelleschi (1377–1466) and Leon Battista Alberti (1404–1472) were among the fathers of both Renaissance and Neoclassical architecture,

The cathedral, topped by Brunelleschi's dome, dominates the Florentine skyline. The Florentines decided to start building it – late in the 13th century, without a design for the dome. The project proposed by Brunelleschi in the 14th century was the largest ever built at the time, and the first major dome built in Europe since the two great domes of Roman times – the Pantheon in Rome, and Hagia Sophia in Constantinople. The dome of Santa Maria del Fiore remains the largest brick construction of its kind in the world. In front of it is the medieval Baptistery. The two buildings incorporate in their decoration the transition from the Middle Ages to the Renaissance. In recent years, most of the important works of art from the two buildings – and from the nearby Giotto's Campanile, have been removed and replaced by copies. The originals are now housed in the Museum dell'Opera del Duomo, just to the east of the Cathedral.

Florence has large numbers of art-filled churches, such as San Miniato al Monte, San Lorenzo, Santa Maria Novella, Santa Trinita, Santa Maria del Carmine, Santa Croce, Santo Spirito, the Annunziata, Ognissanti and numerous others.

Palazzo della Signoria

Artists associated with Florence range from Arnolfo di Cambio and Cimabue to Giotto, Nanni di Banco, and Paolo Uccello; through Lorenzo Ghiberti, and Donatello and Massaccio and the della Robbia family; through Fra Angelico and Botticelli and Piero della Francesca, and on to Michelangelo and Leonardo da Vinci. Others include Benvenuto Cellini, Andrea del Sarto, Benozzo Gozzoli, Domenico Ghirlandaio, Filippo Lippi, Bernardo Buontalenti, Orcagna, Pollaiuolo, Filippino Lippi, Verrocchio, Bronzino, Desiderio da Settignano, Michelozzo, the Rossellis, the Sangallos, and Pontormo. Artists from other regions who worked in Florence include Raphael, Andrea Pisano, Giambologna, Il Sodoma and Peter Paul Rubens.

Brunelleschi's dome

The Uffizi and the Pitti Palace are two of the most famous picture galleries in the world. Two superb collections of sculpture are in the Bargello and the Museum of the Works of the Duomo. They are filled with the creations of Donatello, Verrochio, Desiderio da Settignano, Michelangelo and others. The Accademia has Michelangelo's David – perhaps the most well-known work of art anywhere, plus the unfinished statues of the slaves Michelangelo created for the tomb of Pope Julius II.

Other sights include the medieval city hall, the Palazzo della Signoria (alsdo known as the Palazzo Vecchio), the Archeological Museum, the Museum of the History of Science, the Palazzo Davanzatti, the Stibbert Museum, St. Marks, the Medici Chapels, the Museum of the Works of Santa Croce, the Museum of the Cloister of Santa Maria Novella, the Zoological Museum ("La Specola"), the Bardini, and the Museo Horne. There is also a collection of works by the modern sculptor, Marino Marini, in a museum named after him. The Strozzi Palace is the site of special exhibits.

Visit Florence and stay at Hotel Mario's

FASHION DESIGNERS OF FLORENCE

Luxury boutiques along Florence's prestigious Via de' Tornabuoni.

Florence being historically the first home of Italian fashion (the 1951–1953 soirées held by Giovanni Battista Giorgini are generally regarded as the birth of the Italian school as opposed to French haute couture) is also home to the Italian fashion establishment Salvatore Ferragamo. Gucci, Enrico Coveri, Emilio Pucci, Patrizia Pepe, Ermanno Scervino and many others are founded and located in Florence. Prada, Roberto Cavalli, and Chanel have large offices and stores in Florence or its outskirts. Florence's main upscale shopping street is Via de' Tornabuoni, where major luxury fashion houses and jewelry labels, such as Armani, Ferragamo and Bulgari, have their boutiques.

The San Lorenzo market is now largely for tourists. Great places to walk include along the Arno and across any of its bridges, through narrow, medieval back streets in the Santa Croce area and in the Oltr'Arno – on the south side of the river, in many ways like Rome's Trastevere or Paris's Left Bank – but far smaller. There are also superb shopping streets, such as the Via Tornabuoni, the Via del Parione, and the Via Maggio.

Visit Florence and stay at Hotel Mario's.

Hotel Mario's
Via Faenza, 89
50123 Florence - Italy
Tel. 0039 055 216 801
Fax 0039 055 212039
E-mail: hotelmarios@hotelmarios.com
Internet site: www.hotelmarios.com 

FORTE DI BELVEDERE

Fortification

The Forte di Belvedere or Fortezza di Santa Maria in San Giorgio del Belvedere (often called simply Belvedere) is a fortification in Florence, Italy. It was built by Grand Duke Ferdinando I de' Medici during the period 1590–1595, with Bernardo Buontalenti as the designer, to protect the city and its rule by the Medici family.

On the same side of the river as the Grand Ducal palace, the Pitti Palace in the Oltrarno district of the city, today the grounds provide spectacular outlooks over Florence; the buildings are used to hold works of art, and as a venue for exhibitions of contemporary sculpture.

The design and construction of the Fort were entrusted to architect Bernardo Buontalenti, the chief architect for both Cosimo I and his son, Ferdinando. The Fort served many purposes: to protect the center of government in Florence, the Pitti Palace; to protect the south end of the city of Florence and the Oltrarno district; to demonstrate the power of the Medici family; hold the treasury of the Medici; and finally to provide a shelter for the Grand Duke if the city came under attack. The fort was connected to Palazzo Vecchio via the Vasari Corridor over Ponte Vecchio, passages in the Pitti Palace and paths through Boboli Gardens.

Buontalenti applied contemporary fortification principles when he designed the Fort. The walls are designed at angles that allow for all the walls to be seen by another wall, allowing for cross fire to assist in protecting the other walls. The location where the fort was placed had long been considered of strategic importance since the time of Michelangelo, then head engineer of fortifications. An earlier version of the fort was built of earth and stone gabions as seen in frescoes in Palazzo Vecchio.

In addition to being a fortification, the Belvedere was meant to be a sign of Medici prestige. The villa inside the fortress was designed to be elegant and did not adhere to the military purposes of the rest of the fort. Since the villa was meant to be used as the residence of the Grand Duke during times of unrest or epidemic, it was built as a comfortable, luxurious palace, another sign of Medici domination in Florence.

The Fort served as a garrison for troops for over 100 hundred years after its completion.

Visit Florence and stay at our hotel:

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze - Italy

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

www.hotelmarios.com

OSPEDALE DEGLI INNOCENTI

The Ospedale degli Innocenti is a historical building in Florence, central Italy. Designed by Filippo Brunelleschi, who received the commission in 1419, it was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties.

The façade is made up of nine semicircular arches springing from columns of the Composite order. The semicircular windows brings the building down, earthbound and is a revival of the classical style, no longer a pointed arch. In the spandrels of the arches there are glazed blue terracotta roundels with reliefs of babies suggesting the function of the building. There is an emphasis on the horizontal because the building is longer than it is tall. Above each semicircular arch is a tabernacle window (a rectangular window with a triangular pediment on the top).

The clean and clear sense of proportion is reflected in the building. The height of the columns is the same width of the intercolumniation and the width of the arcade is equal to the height of the column, making each bay a cube. The simple proportions of the building reflect a new age, of secular education and a sense of great order and clarity. Also half the height of the column is the height of the entablature, which is appropriate for a clear minded society.

Ospedale degli Innocenti

Children were sometimes abandoned in a basin which was located at the front portico. However, this basin was removed in 1660 and replaced by a wheel for secret refuge. There was a door with a special rotating horizontal wheel that brought the baby into the building without the parent being seen. This allowed people to leave their babies, anonymously, to be cared for by the orphanage. This system was in operation until the hospital's closure in 1875. Today the building houses a small museum of Renaissance art.

Visit Florence and stay at our hotel:

HOTEL MARIO'S
Via Faenza, 89
50123 Florence - Italy 

email: info@hotelmarios.com

www.hotelmarios.com

Roman origins of Florence

A wooden model of Florence

Florence was established by Lucius Cornelius Sulla in 80 BC as a settlement for his veteran soldiers and was named originally Fluentia, owing the fact that it was built between two rivers, which was later corrupted to Florentia. It was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated at the Via Cassia, the main route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. The Emperor Diocletian is said to have made Florentia the seat of a bishopric around the beginning of the 4th century AD, but this seems impossible in that Diocletian was a notable persecutor of Christians.

In the ensuing two centuries, the city experienced turbulent periods of Ostrogothic rule, during which the city was often troubled by warfare between the Ostrogoths and the Byzantines, which may have caused the population to fall to as few as 1,000 people. Peace returned under Lombard rule in the 6th century. Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to grow again and commerce prospered. In 854, Florence and Fiesole were united in one county.

HOUSE OF MEDICI

The House of Medici or Casa de' Medici  was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to found the Medici Bank. The bank was the largest in Europe during the 15th century, seeing the Medici gain political power in Florence — though officially they remained simply citizens, rather than monarchs. The Medici produced four Popes of the Catholic Church and in 1531 the family became hereditary Dukes of Florence. In 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de' Medici, Tuscany was fiscally bankrupt.

Their wealth and influence initially derived from the textile trade guided by the guild of the Arte della Lana. Like other signore families they dominated their city's government. They were able to bring Florence under their family's power, allowing for an environment where art and humanism could flourish. They fostered and inspired the birth of the Italian Renaissance along with other families of Italy, such as the Visconti and Sforza of Milan, the Este of Ferrara, and the Gonzaga of Mantua.

The Medici Bank was one of the most prosperous and most respected institutions in Europe. There are some estimates that the Medici family were the wealthiest family in Europe for a period of time. From this base, they acquired political power initially in Florence and later in wider Italy and Europe. A notable contribution to the profession of accounting was the improvement of the general ledger system through the development of the double-entry bookkeeping system for tracking credits and debits. This system was first used by accountants working for the Medici family in Florence.

SUMMER IN FLORENCE

During the summer, Florence became a big open air stage where they are often tourists, visitors to play the part of the protagonists. With its squares, its churches and monuments to admire without getting bored, Firenze is ideal for young couples, families and groups of friends.

First we start with some advice. Florence in the summer is a very hot city, then try to limit your outputs to the cooler hours, preferring perhaps visiting museums and places indoors during the time when the sun is strongest. Of course this advicehas to be applied  to European tourists, because those Americans are certainly more accustomed to high temperatures. Ultimately the climate of Florence is still a Mediterranean climate.

We start from the center. Just a few months ago the entire area around the Piazza del Duomo, the Cathedral of Santa Maria del Fiore with Giotto‘s frescoes, the famous dome of Brunelleschi and the Baptistery, had been pedestrianized. This is a great scene, one of the marvels of humanity, even more enjoyable now breathing cleaner air and less noise.

From here I awant to create two paths. The first takes you through the Via dei Calzaioli, where are boutiques of fashion: Gucci, Prada, Valentino and so on. A pause in Piazza della Repubblica, sipping a coffee at one of the famous bars, where the artists of the vanguard of primo novecento The second route takes you from the Duomo to Borgo San Lorenzo, where it is to be  visited the Church designed by Michelangelo and the museums of the Medici Chapels. Spread around a small market of leather handicrafts made by Florentine artisans. Bags, shoes, girdles, jackets. Here is a must to visit the Central Market, where you’ll find the authentic flavors of Tuscan cuisine and especially the Florentine. It starts primarily from meat, queen of the tables in the restaurants. The famous Fiorentina Cut, a cut of rib eye steak, cooked on the outside and rare inside.

You eat natural, or with oil and pepper, served with arugula and shavings of Parmesan cheese or perhaps with a beautiful chapel of fresh porcini mushrooms. At Central Market of San Lorenzo, a small restaurant offers some of the best specialty of Florence, at really low prices.

Try the sandwich with Lampredotto, or the one with the Bollito, tripe, Peposa and other dishes prepared daily. Then in the market you will find spices, cheese, bread and cake for all tastes. 

Many special exhibitions are also organized this year in Florence. Four hundred years after his death, Michelangelo Merisi in the Uffizi, along with Leonardo, Raphael, Michelangelo and Botticelli. Then the largest collection by many artists of the Reinassance period.

HOTEL MARIO' S
Via Faenza, 89
50123 Firenze
tel +39055216801
fax +39055212039
hotelmarios@hotelmarios.com
www.hotelmarios.com   

GIOVANNI BOCCACCIO

Giovanni Boccaccio

Giovanni Boccaccio was born in 1313, in either June or July out of wedlock to Boccaccino di Chellino and an unknown woman. In 1319 Boccaccino di Chellino marries and Boccaccio's stepbrother, Francesco is born.

The work he is perhaps most known for is the Decameron (which means "Work of Ten Days") 100 stories told over 10 days by 10 people escaping from the plague. It was one of the final stories The Tale of Griselda which Petrarch read and then translated into Latin. It was composed between 1349 and 1353.

Although he is first exposed to Petrarch's works in 1333, it isn't until 1350 that the two of them first meet face to face, in Rome. By that time Boccaccio was the undisputed leader of Florentine literary culture.

Under Petrarch's influence, he turned increasingly away from vernacular fiction (Italian fiction) in favor of Latin scholary works. He took lessons in Greek, solicited translations from Greek texts, and in 1360 successfully worked to establish at Florence the first chair of Greek in non-Byzantine Europe. In 1373 the citizens of Florence chose him to give the world's first lecturae Dantis, probably the first lecture series ever dedicated to the exposition of a European vernacular text.

The two formed a friendship which lasted their entire lives, so much so that Boccaccio is the recipient of a large number of letters which appear in Petrarch's collections.

There are many unknowns in history, and one of those unknowns when it comes to Petrarch is how much is real. Although Petrarch tells us he was crowned poet lauriet in Rome, there is no other account for this in history, except in the writings of Boccaccio.

Boccaccio died on December 21, 1375. Together Petrarch and Boccaccio could be called the founders of Humanism. Besides the time they lived in and their contributions to the world they also shared many similarieties. They both fed of each other for inspiration and support through the years as both lost many friends during the plague. They both had loves which they lost to the plague as well, Petrarch's Laura de Noves and Boccaccio's Maria d'Aquino. 

Donato di Niccolò di Betto Bardi, called DONATELLO

Donatello's statue outside of the Uffizi Galleria.

In Florence, Donatello assisted Lorenzo Ghiberti with the statues of prophets for the north door of the Florence Baptistery, for which he received payment in November 1406 and early 1408. In 1409–1411 he executed the colossal seated figure of Saint John the Evangelist, which until 1588 occupied a niche of the old cathedral facade, and is now placed in a dark chapel of the Duomo. This work marks a decisive step forward from late Gothic Mannerism in the search for naturalism and the rendering of human feelings. The face, the shoulders and the bust are still idealized, while the hands and the fold of cloth over the legs are more realistic.

In 1411–1413 Donatello worked on a statue of St. Mark for the church of Orsanmichele. In 1417 he completed the St. George for the Confraternity of the Cuirass-makers. The elegant St. George and the Dragon relief on the statue's base, executed in schiacciato (also known as bas-relief or basso rilievo) is one of the first examples of central-point perspective in sculpture.

From 1423 is the St. Louis of Toulouse, now in the Museum of the Basilica di Santa Croce. Donatello had also sculpted a tabernacle for this work, but it was sold in 1460 to house the Incredulity of St. Thomas by Verrocchio.

Between 1415 and 1426, Donatello created five statues for the campanile of Santa Maria del Fiore in Florence, also known as the Duomo. These works are the Beardless Prophet; Bearded Prophet (both from 1415); the Sacrifice of Isaac (1421); Habbakuk (1423–1425); and Jeremiah (1423–1426); which follow the classical models for orators and are characterized by strong portrait details. From the late teens is the Pazzi Madonna relief in Berlin. In 1425, he executed the notable Crucifix for Santa Croce; this work portrays Christ in a moment of the agony, eyes and mouth partially opened, the body contracted in an ungraceful posture.

Between 1425–1427, Donatello collaborated with Michelozzo on the funerary monument of the Antipope John XXIII for the Battistero in Florence. Surely by Donatello is the recumbent bronze figure of the deceased, under a shell. In 1427, he completed in Pisa a marble panel for the funerary monument of Cardinal Rainaldo Brancacci at the church of Sant'Angelo a Nilo in Naples. In the same period, he executed the relief of the Feast of Herod and the statues of Faith and Hope for the Baptstery of San Giovanni in Siena. The relief is mostly in stiacciato, while the foreground figures are done in bas-relief.

Make your reservation at Hotel Mario's and enjoy Florence and all its great spots.

Hotel Mario's
via Faenza, 89
50123, Florence
+39-055216801 tel
+39-055212039 fax
info@hotelmarios.com
www.hotelmarios.com

Caravaggio: BACCO at the Uffizi

Hotel Mario's staff helps to visit Florence and its jewels!!!
Michelangelo Merisi da Caravaggio (29 September 1571 – 18 July 1610) was an Italian artist active in Rome, Naples, Malta, and Sicily between 1593 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque school of painting.
Caravaggio trained as a painter in Milan under a master who had himself trained under Titian. In his early twenties Caravaggio moved to Rome where, during the late 16th and early 17th centuries, many huge new churches and palazzi were being built and paintings were needed to fill them. During the Counter-Reformation the Roman Catholic Church searched for religious art with which to counter the threat of Protestantism, and for this task the artificial conventions of Mannerism, which had ruled art for almost a century, no longer seemed adequate. Caravaggio's novelty was a radical naturalism which combined close physical observation with a dramatic, even theatrical, use of chiaroscuro that came to be known as Tenebrism, the shift from light to dark with little intermediate value. He burst upon the Rome art scene in 1600 with the success of his first public commissions, the Martyrdom of Saint Matthew and Calling of Saint Matthew. Thereafter he never lacked for commissions or patrons, yet he handled his success atrociously. An early published notice on him, dating from 1604 and describing his lifestyle three years previously, tells how "after a fortnight's work he will swagger about for a month or two with a sword at his side and a servant following him, from one ball-court to the next, ever ready to engage in a fight or an argument, so that it is most awkward to get along with him." In 1606 he killed a young man in a brawl and fled from Rome with a price on his head. In Malta in 1608 he was involved in another brawl, and yet another in Naples in 1609, possibly a deliberate attempt on his life by unidentified enemies. By the next year, after a relatively brief career, he was dead.
Famous (and notorious) while he lived, Caravaggio was forgotten almost immediately after his death, and it was only in the 20th century that his importance to the development of Western art was rediscovered. Despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism, was profound. It can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as Tenebrists or "Tenebrosi" ("shadowists"). Andre Berne-Joffroy, Paul Valéry's secretary, said of him: "What begins in the work of Caravaggio is, quite simply, modern painting."

XXVII FIRENZE MARATHON - 28th november 2010, Running in Florence

Meeting on Sunday November, 28th 2010 with the 27th edition of the International classic road race
The wrapping glamour of centuries of art, history and culture accompanies you step by step along the 42 kilometres and 195 meters of the Florence Marathon. A unique emotion which can be told only by those who have run in Florence and which has made the classic race of Florence an appointment that cannot be missed by thousand of sportsmen and enthusiasts who each year punctually come from all over the world on the last Sunday in November. The Florentine event has gained exponential importance during the recent years, so much that on last November 29th on the occasion of its XXVI edition a new record of participants has been achieved with over 10.166 runners (7.425 Italians and 2.741 foreigners) coming from 57 countries.
The record of the men’s race has been established by the 24-year old Kenyan James Kutto who won his race in 2h08’41”: fourth time ever for the winner of an Italian marathon. A record has been achieved also with regard to the number of athletes crossing the finishing line: 8.206 runners. Amazing numbers, in witness of a development both numerical and qualitative, which has transformed the Florence Marathon into the second Italian marathon second to the Rome race.
An event, which is not only a sport event, but also a custom and cultural enchanting event. This is the common feeling joining thousands of runners and shared by the large audience of Raitre channel, watching the three-hour live broadcast of the XXVI Florence Marathon by Tgs-Raisport. This is the fifth consecutive year dedicated by Rai to the live broadcast of the Florentine event, as well-deserved appreciation of the growing importance this event has achieved during the recent years. Mentioning numbers only, however, won't convey the right value to a marathon which has now reached full excellence as to its organizational level and which can boast an exceptional stage such as the city of Florence, unique in the world for its beauty and atmosphere.

MAGIC 2010: Fortezza da Basso, Viale Filippo Strozzi, 1, 50129 Firenze, Italy

Grand Prix are easily the biggest open events the DCI offers. They're high-energy and held around the world. Plus, no invitation is necessary – anyone can attend. No pro points? No problem. Playing a good game is all that matters, and with Pro Tour invitations down to 16th place and cash prizes all the way down to 64th place, one thing is certain: a Grand Prix is sure-fire great time. Plus each participant gets an alternate art Umezawa's Jitte.
Players or teams with high ratings or Pro Players Club levels can earn byes for Grand Prix tournaments. You can also earn byes at Grand Prix Trials.
Major Magic: The Gathering events are held around the world every year. Find a location near you and see how you stack up against the best players in the world! Grand Prix tournaments are open to the public. Pro Tours and World Championships are invitation-only for the main event but feature multiple open tournaments as well.
Choose Hotel Mario's for your stay at Florence: the hotel is three minutes walking from Fortezza da Basso and ten minutes from the most important places in the town.

Pitti Immagine - Fragranze 8 - From September 10, 2010 To September 12, 2010

Pitti Immagine presents the artistic perfume collections and body and home fragrances. The event highlights the latest and best proposals from the creative perfume world in one of Florence's most enchanting locations. This year the event will be held once again in the halls of the Leopolda Station.
The event concept is "Liquidity pierced, made iridescent and as if distilled by light". The new settings is based on this theme, merging plays on shadows, shapes, light and the actual expo spaces. The event is designed to offer the public direct contact and a fabulous sensorial experience throughout the entire location.
The stars of the event are thus the most exclusive fragrances, personal care products, cosmetic specialties and perfumed beauty accessories.
Pitti Immagine is one of the lead fashion event organizers in the world. Its professional experience includes elegant international expos for the textile-clothing, perfume and gourmet food and wine markets. It intends to create innovative events and projects with high communication impact, relying on partnerships with leaders in modern creative research.

Strozzi Palace in Florence

Palazzo Strozzi is a palace in Florence, Italy. The Palace was begun in 1489 by Benedetto da Maiano, for Filippo Strozzi the Elder, a rival of the Medici who had returned to the city in November 1466 and desired the most magnificent palace to assert his family's continued prominence and, perhaps more important, a political statement of his own status. A great number of other buildings were acquired during the 70s and demolished to provide enough space for the new construction. Giuliano da Sangallo the Younger provided a wood model of the design. Filippo Strozzi died in 1491, long before the construction's completion in 1538. Duke Cosimo I de' Medici confiscated it in the same year, not returning it to the Strozzi family until thirty years later.
Palazzo Strozzi is a splendid example of civil architecture with its rusticated stone, inspired by the Palazzo Medici, but with more harmonious proportions. Unlike the Medici Palace, which was sited on a corner lot, and thus has only two sides, this building, surrounded on all four sides by streets, is a free-standing structure. This introduced a problem new in Renaissance architecture, which, given the newly-felt need for internal symmetry of planning symmetry, was how to integrate the cross-axis: the ground plan of Palazzo Strozzi is rigorously symmetrical on its two axes, with clearly-differentiated scales of its principal rooms.
The palazzo has mullioned paired windows; the radating voussoirs of the arches increase in length as they rise to the keystone, a detail that was much copied for arched windows set in rustication in the Renaissance revival. Its magnificent cornice is typical of the Florentine palaces of the time.
The palace was left incomplete by Simone del Pollaiolo (il Cronaca), who was in charge of the construction of the palace until 1504. Also by Cronaca is the cortile or central courtyard surrounded by an arcade, inspired by Michelozzo. The famous wrought-iron lanterns that decorate the corners of the palace exterior, are by an iron-worker named Caparra.

June 2, 2010: Republic Day/Festa della Repubblica

Festa della Repubblica or, in English, Republic Day is celebrated in Italy on the second of June each year. The day commemorates the institutional referendum held by universal suffrage in 1946, in which the Italian people were called to the polls to decide on the form of government, following the Second World War and the fall of Fascism. With 12,717,923 votes for a republic and 10,719,284 for the monarchy, the male descendants of the House of Savoy were sent into exile. To commemorate it, a grand military parade is held in central Rome, presided by the President of the Republic in the role of Supreme Commander of the Armed Forces. The Prime Minister and other authorities attend too. Prior to the foundation of the Republic, the Italian national day was the first Sunday in June, anniversary of the granting of the Statuto Albertino.

La Festa della Repubblica italiana è la principale festa nazionale italiana. Viene celebrata il 2 giugno a ricordo della nascita della Repubblica.
L'emblema della Repubblica Italiana.
Il 2 e il 3 giugno 1946 si tenne, infatti, il referendum istituzionale indetto a suffragio universale con il quale gli italiani venivano chiamati alle urne per esprimersi su quale forma di governo, monarchia o repubblica, dare al Paese, in seguito alla caduta del fascismo. Dopo 85 anni di regno, con 12.718.641 voti contro 10.718.502. l'Italia diventava repubblica e i monarchi di casa Savoia venivano esiliati.
Il 2 giugno celebra la nascita della nazione, in maniera simile al 14 luglio francese (anniversario della Presa della Bastiglia) e al 4 luglio statunitense (giorno in cui nel 1776 venne firmata la dichiarazione d'indipendenza).
In tutto il mondo le ambasciate italiane tengono un festeggiamento cui sono invitati i Capi di Stato del Paese ospitante. Da tutto il mondo arrivano al Presidente della Repubblica italiana gli auguri degli altri capi di Stato e speciali cerimonie ufficiali si tengono in Italia.
Prima della fondazione della Repubblica, la festa nazionale italiana era la prima domenica di giugno, anniversario della concessione dello Statuto Albertino.
Con la legge 5 marzo 1977, n.54, soprattutto a causa della congiuntura economica sfavorevole, la Festa della Repubblica fu spostata alla prima domenica di giugno. Solamente nel 2001 su impulso dell'allora Presidente della Repubblica, Carlo Azeglio Ciampi, il secondo governo Amato, con la legge n. 336 del 20 novembre 2000, riportò le celebrazioni al 2 giugno che divenne nuovamente festivo.

Cultur week in Italy and in Florence too.Museums free

The settimana della cultura, or the culture week, or the week during which the state- and city-run museums in Florence (and the rest of Italy) offer entrance without admission costs for the year 2010 is...now. In fact is already started 18th of April and will be continued till 26th of April.
Apart from normally open museums being free, several attractions that are normally closed to the public will open their doors during the settimana della cultura. This can be achieved thanks to the help of hundreds of volunteers.Some favorite sites such as the Colosseum, Uffizi Galleries, the archaeological site of Pompei, and the Galleria Borghese are just a few of the many that will be free during this 9 day period. You’ll be out of luck at the Vatican, however, as it is not a state museum and will still enforce the normal entry fee.
For any Context walk that normally includes pre-purchased tickets to a state museum, you will either be receiving a refund shortly if you were already charged for your ticket or, if you will be booking, the price of your ticket will be deducted before it is charged.
In Florence you could visit for free Uffizi, Accademia ( where the David of Michelangelo is ), Medici Chapels, Bargello,Pitti Palace,Boboli garden,Opificio delle pietre dure and many others.

Here a list of special events for your visit in Florence:


Uffizi: from 4/20/2010 to 5/30/2010 on special display is the newly restored Altarpiece of the Novitiate painted by Filippo Lippi for the chapel of the same name in the Church of Santa Croce (read announcement from the Uffizi). The altarpiece was commissioned by Cosimo de’ Medici in 1445. For the first time since its dismantling it will be displayed with its predella, painted by Francesco di Stefano known as Il Pesellino, thanks to a loan from the Louvre.

Boboli Gardens: Saturday 17 April at 15:30: Sbandiatori – historic flag throwers of Florence will perform in costume in the Boboli’s Piazzale della Meridiana.

Cappella Ruccellai and Alberti’s Tempietto: this little jewel of a chapel is only open on this occasion! I’ve seen it during previous culture weeks, it’s an important contribution to understanding Alberti’s architecture.

Conservatorio di S. Maria degli Angiolini: special opening of this dominican convent that has been recently restored! Info here, booking by telephone is obligatory.

At the state archive, an exhibit of documents related to the city of Florence and the Medici family. April 16 to 24

You can check other information on the website http://www.beniculturali.it if you are also interested to others Italian museums. Take a break now, come in Florence and stay at Hotel Mario's, next to the railway station of Santa Maria Novella, in the heart of the city of beautiful Florence. We are here, contact us and require all the information you need ( info@hotelmarios.com ).

VASARI CORRIDOR

The Vasari Corridor (Italian: Corridoio Vasariano) is an elevated enclosed passageway in Florence, which connects the Palazzo Vecchio with the Palazzo Pitti. Beginning on the south side of the Palazzo Vecchio, it then joins the Uffizi Gallery and leaves on its south side, crossing the Lungarno dei Archibusieri and then following the north bank of the River Arno until it crosses the Ponte Vecchio. At the time of construction the Torre dei Mannelli had to be built around using brackets because the owners of the tower refused to alter it. The corridor covers up part of the façade of the chiesa di Santa Felicità. The corridor then snakes its way over rows of houses in the Oltrarno district, becoming narrower, to finally join the Palazzo Pitti. Most of it is closed to visitors.
The Vasari Corridor was built in 5 months by order of Grand Duke Cosimo I de' Medici in 1564, to the design of Giorgio Vasari. It was commissioned in connection with the marriage of Cosimo's son, Francesco, with Johanna of Austria. The idea of an enclosed passageway was motivated by the Grand Duke's desire to move freely between his residence and the government palace, when, like most monarchs of the period, he felt insecure in public, in his case especially because he had replaced the Republic of Florence. The meat market of Ponte Vecchio was moved to avoid its smell reaching into the passage, its place being taken by the goldsmith shops that still occupy the bridge. At the latter extremity, the corridor was forced to pass around the Mannelli's Tower, after the staunch opposition of that family to its destruction.
In the middle of Ponte Vecchio the corridor is characterized by a series of panoramic windows facing the Arno, in direction of the Ponte Santa Trinita. These replaced the smaller windows of the original construction in 1939, by order of Benito Mussolini.
After the Ponte Vecchio the Corridor passes over the loggiato of the church of Santa Felicita; at that point it had a balcony, protected by a thick railing, looking into the interior of the church, in order to allow the Grand Duke's family to follow services without mixing with the populace.

Giotto, the father of modern painting

Giotto di Bondone, the father of modern painting and one of the greatest figures in the history of Western art, was born in a small hamlet in the valley of the Mugello, twenty miles north of Florence.
Giotto signed his name to only three of his paintings. His most famous attributed works are the Arena Chapel frescoes (1305-10) in Padua, the Bardi and Peruzzi Chapel frescoes in Santa Croce in Florence, and the magnificent Ognissanti Madonna for the Church of All Saints. The twenty-eight frescoes based on the life of St. Francis and located in the Upper Church of the Franciscans in Assisi are accepted as Giotto's by some art historians and denied him by others. The controversy, which has now raged for a century and a half, fills volumes and has yet to be resolved.
Giotto was a painter during the renaissance period and this influenced his paintings to be mostly based on the bible. During this period a Dante of the devine comedy said "Giotto is regarded as the founder of the central tradition of western painting because his work broke free from the stylizations of Byzantine art, introducing new ideals of naturalism and creating a convincing sense of pictorial space."
At the Uffizi Gallery you could see the "Ognissanti Madonna" , the "The Badia Polyptych" and others. As written by Vasari:
“One day Cimabue was going about his business between Florence and Vespignano, and he came upon Giotto who, while his sheep were grazing, was sketching one of them in a lifelike way with a slightly pointed rock upon a smooth and polished stone without having learned how to draw it from anyone other than Nature. This caused Cimabue to stop in amazement…”
Another very good reason to visit Florence, you cannot imagine how many great masterpieces you are gonna see here. Start your days at Hotel Mario's, we are in the centre of the city, next to the train station Santa Maria Novella, a very nice and typical 3 stars Hotel in an historical palace. Enjoy Hotel Mario's, enjoy Giotto...

Loggia del Porcellino ( the new market of Florence )

The loggia was built around the middle of the 16th century in the heart of the city, just a few steps from the Ponte Vecchio. Initially it was intended for the sale of silk and luxury goods and then for the famous straw hats, but today mainly leather goods and souvenirs are sold.
In the corner niches statues of famous Florentines were intended to be placed, but only three were made during the 18th century: Michele di Lando, Giovanni Villani, and Bernardo Cennini.
The focal point of the loggia is the Fontana del Porcellino, "fountain of the piglet", actually a copy of a bronze wild boar by Pietro Tacca from the sixteenth century; the original can be found at Palazzo Pitti. Popular tradition has it that rubbing the nose brings fortune, so that the statue has acquired over time a certain shine in that spot. Visitors are encouraged to place a coin in the mouth of the boar after rubbing its nose, and superstion implies that the wish will be granted if the offering tumbles through the grate whence the water flows. The slope of the grate is such that most coins do fall through, and are collected by the city.
Another oddity of the place is the so-called pietra dello scandalo, the "stone of the shame", a round spot marked in bicoloured marble at the centre of the loggia, which is only visible when no sales stalls are there. The design reproduces one of the wheels of a medieval Carroccio, symbol of the Florentine republic, on which the city's standard was hoisted daily. The Carroccio was placed on this spot and, around it, Florentine troops met before every battle.
The spot was later chosen for another purpose, whence its alternative name pietra dell'acculata, "the stone of the bum punishment". During the Renaissance, the punishment of insolvent debtors included being chained to a post on this spot and then paddled repeatedly on the naked buttocks.