WELCOME TO MARIO'S HOTEL IN FLORENCE

Welcome to Mario’s 3 Star Hotel in the Renaissance city of Firenze. With a cosy and friendly atmosphere and a great central location, Mario’s is a family run Guest House style hotel which offers comfort and service with a smile to guests from all over the world. Blending the old world charm of Florence in the fixtures and fittings of a 17th century building with the modern luxuries and comforts expected by today’s traveller, The Florentine hotel owners Leonardo and his brothers like to personally afford each and every guest that personal touch and leave you with happy memories of a pleasant and fruitful stay in Florence.
Visualizzazione post con etichetta corridoio vasariano. Mostra tutti i post
Visualizzazione post con etichetta corridoio vasariano. Mostra tutti i post

giovedì 16 settembre 2010

Caravaggio: BACCO at the Uffizi



Hotel Mario's staff helps to visit Florence and its jewels!!!
Michelangelo Merisi da Caravaggio (29 September 1571 – 18 July 1610) was an Italian artist active in Rome, Naples, Malta, and Sicily between 1593 and 1610. His paintings, which combine a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, had a formative influence on the Baroque school of painting.
Caravaggio trained as a painter in Milan under a master who had himself trained under Titian. In his early twenties Caravaggio moved to Rome where, during the late 16th and early 17th centuries, many huge new churches and palazzi were being built and paintings were needed to fill them. During the Counter-Reformation the Roman Catholic Church searched for religious art with which to counter the threat of Protestantism, and for this task the artificial conventions of Mannerism, which had ruled art for almost a century, no longer seemed adequate. Caravaggio's novelty was a radical naturalism which combined close physical observation with a dramatic, even theatrical, use of chiaroscuro that came to be known as Tenebrism, the shift from light to dark with little intermediate value. He burst upon the Rome art scene in 1600 with the success of his first public commissions, the Martyrdom of Saint Matthew and Calling of Saint Matthew. Thereafter he never lacked for commissions or patrons, yet he handled his success atrociously. An early published notice on him, dating from 1604 and describing his lifestyle three years previously, tells how "after a fortnight's work he will swagger about for a month or two with a sword at his side and a servant following him, from one ball-court to the next, ever ready to engage in a fight or an argument, so that it is most awkward to get along with him." In 1606 he killed a young man in a brawl and fled from Rome with a price on his head. In Malta in 1608 he was involved in another brawl, and yet another in Naples in 1609, possibly a deliberate attempt on his life by unidentified enemies. By the next year, after a relatively brief career, he was dead.
Famous (and notorious) while he lived, Caravaggio was forgotten almost immediately after his death, and it was only in the 20th century that his importance to the development of Western art was rediscovered. Despite this, his influence on the new Baroque style that eventually emerged from the ruins of Mannerism, was profound. It can be seen directly or indirectly in the work of Rubens, Jusepe de Ribera, Bernini, and Rembrandt, and artists in the following generation heavily under his influence were called the "Caravaggisti" or "Caravagesques", as well as Tenebrists or "Tenebrosi" ("shadowists"). Andre Berne-Joffroy, Paul Valéry's secretary, said of him: "What begins in the work of Caravaggio is, quite simply, modern painting."

giovedì 15 aprile 2010

VASARI CORRIDOR




The Vasari Corridor (Italian: Corridoio Vasariano) is an elevated enclosed passageway in Florence, which connects the Palazzo Vecchio with the Palazzo Pitti. Beginning on the south side of the Palazzo Vecchio, it then joins the Uffizi Gallery and leaves on its south side, crossing the Lungarno dei Archibusieri and then following the north bank of the River Arno until it crosses the Ponte Vecchio. At the time of construction the Torre dei Mannelli had to be built around using brackets because the owners of the tower refused to alter it. The corridor covers up part of the façade of the chiesa di Santa Felicità. The corridor then snakes its way over rows of houses in the Oltrarno district, becoming narrower, to finally join the Palazzo Pitti. Most of it is closed to visitors.
The Vasari Corridor was built in 5 months by order of Grand Duke Cosimo I de' Medici in 1564, to the design of Giorgio Vasari. It was commissioned in connection with the marriage of Cosimo's son, Francesco, with Johanna of Austria. The idea of an enclosed passageway was motivated by the Grand Duke's desire to move freely between his residence and the government palace, when, like most monarchs of the period, he felt insecure in public, in his case especially because he had replaced the Republic of Florence. The meat market of Ponte Vecchio was moved to avoid its smell reaching into the passage, its place being taken by the goldsmith shops that still occupy the bridge. At the latter extremity, the corridor was forced to pass around the Mannelli's Tower, after the staunch opposition of that family to its destruction.
In the middle of Ponte Vecchio the corridor is characterized by a series of panoramic windows facing the Arno, in direction of the Ponte Santa Trinita. These replaced the smaller windows of the original construction in 1939, by order of Benito Mussolini.
After the Ponte Vecchio the Corridor passes over the loggiato of the church of Santa Felicita; at that point it had a balcony, protected by a thick railing, looking into the interior of the church, in order to allow the Grand Duke's family to follow services without mixing with the populace.

martedì 16 marzo 2010

FIRENZE: PONTE VECCHIO


The bridge spans the Arno at its narrowest point where it is believed that a bridge was first built in Roman times,when the via Cassia crossed the river at this point.The Roman piers were of stone, the superstructure of wood. The bridge first appears in a document of 996. After being destroyed by a flood in 1117 it was reconstructed in stone but swept away again in 1333 save two of its central piers, as noted by Giovanni Villani in his Nuova Cronica.It was rebuilt in 1345, Giorgio Vasari recorded the tradition in his day, that attributed its design to Taddeo Gaddi,besides Giotto one of the few artistic names of the trecento still recalled two hundred years later. Modern historians present Neri di Fioravanti as a possible candidate. Sheltered in a little loggia at the central opening of the bridge is a weathered dedication stone, which once read Nel trentatrè dopo il mille-trecento, il ponte cadde, per diluvio dell' acque: poi dieci anni, come al Comun piacque, rifatto fu con questo adornamento. The Torre dei Mannelli was built at the southeast corner of the bridge to defend it.

The bridge consists of three segmental arches: the main arch has a span of 30 meters (98 ft) the two side arches each span 27 meters (88 ft). The rise of the arches is between 3.5 and 4.4 meters (11½ to 14½ feet), and the span-to-rise ratio 5:1.

It has always hosted shops and merchants who displayed their goods on tables before their premises, after authorization of the Bargello (a sort of a lord mayor, a magistrate and a police authority). The back shops (retrobotteghe) that may be seen from upriver, were added in the seventeenth century.

It is said that the economic concept of bankruptcy originated here: when a merchant could not pay his debts, the table on which he sold his wares (the "banco") was physically broken ("rotto") by soldiers, and this practice was called "bancorotto" (broken table; possibly it can come from "banca rotta" which means "broken bank"). Not having a table anymore, the merchant was not able to sell anything.

During World War II, the Ponte Vecchio was not destroyed by Germans during their retreat of August 4, 1944, unlike all other bridges in Florence.This was allegedly because of an express order by Hitler. Access to Ponte Vecchio was, however, obstructed by the destruction of the buildings at both ends, which have since been rebuilt using a combination of original and modern design.

In order to connect the Palazzo Vecchio (Florence's town hall) with the Palazzo Pitti, in 1565 Cosimo I de Medici had Giorgio Vasari build the famous Vasari Corridor above it. To enforce the prestige of the bridge, in 1593 the Medici Grand Dukes prohibited butchers from selling there; their place was immediately taken by several gold merchants. The corporative association of butchers had monopolised the shops on the bridge since 1442. A stone with an inscription from Dante (Paradiso xvi. 140-7) records the spot at the entrance to the bridge where Buondelmonte de' Buondelmonti was murdered on behalf of the Amidei, in 1215, initiating the urban fighting of the Guelfs and Ghibellines.