WELCOME TO MARIO'S HOTEL IN FLORENCE

Welcome to Mario’s 3 Star Hotel in the Renaissance city of Firenze. With a cosy and friendly atmosphere and a great central location, Mario’s is a family run Guest House style hotel which offers comfort and service with a smile to guests from all over the world. Blending the old world charm of Florence in the fixtures and fittings of a 17th century building with the modern luxuries and comforts expected by today’s traveller, The Florentine hotel owners Leonardo and his brothers like to personally afford each and every guest that personal touch and leave you with happy memories of a pleasant and fruitful stay in Florence.
Visualizzazione post con etichetta brunelleschi. Mostra tutti i post
Visualizzazione post con etichetta brunelleschi. Mostra tutti i post

mercoledì 10 agosto 2011

ART IN FLORENCE

Florence has a legendary artistic heritage. Cimabue and Giotto, the fathers of Italian painting, lived in Florence as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.
Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages" the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis Buonarroti' s house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones. Great monuments are the landmarks of Florentine artistic culture: the Florence Baptistery with its mosaics; the Cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archeological museum includes documents of Etruscan civilization. In fact the city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.
Uffizi hallway
Florentine architects such as Filippo Brunelleschi (1377–1466) and Leon Battista Alberti (1404–1472) were among the fathers of both Renaissance and Neoclassical architecture,
The cathedral, topped by Brunelleschi's dome, dominates the Florentine skyline. The Florentines decided to start building it – late in the 13th century, without a design for the dome. The project proposed by Brunelleschi in the 14th century was the largest ever built at the time, and the first major dome built in Europe since the two great domes of Roman times – the Pantheon in Rome, and Hagia Sophia in Constantinople. The dome of Santa Maria del Fiore remains the largest brick construction of its kind in the world. In front of it is the medieval Baptistery. The two buildings incorporate in their decoration the transition from the Middle Ages to the Renaissance. In recent years, most of the important works of art from the two buildings – and from the nearby Giotto's Campanile, have been removed and replaced by copies. The originals are now housed in the Museum dell'Opera del Duomo, just to the east of the Cathedral.
Florence has large numbers of art-filled churches, such as San Miniato al Monte, San Lorenzo, Santa Maria Novella, Santa Trinita, Santa Maria del Carmine, Santa Croce, Santo Spirito, the Annunziata, Ognissanti and numerous others.
Palazzo della Signoria
Artists associated with Florence range from Arnolfo di Cambio and Cimabue to Giotto, Nanni di Banco, and Paolo Uccello; through Lorenzo Ghiberti, and Donatello and Massaccio and the della Robbia family; through Fra Angelico and Botticelli and Piero della Francesca, and on to Michelangelo and Leonardo da Vinci. Others include Benvenuto Cellini, Andrea del Sarto, Benozzo Gozzoli, Domenico Ghirlandaio, Filippo Lippi, Bernardo Buontalenti, Orcagna, Pollaiuolo, Filippino Lippi, Verrocchio, Bronzino, Desiderio da Settignano, Michelozzo, the Rossellis, the Sangallos, and Pontormo. Artists from other regions who worked in Florence include Raphael, Andrea Pisano, Giambologna, Il Sodoma and Peter Paul Rubens.
Brunelleschi's dome
The Uffizi and the Pitti Palace are two of the most famous picture galleries in the world. Two superb collections of sculpture are in the Bargello and the Museum of the Works of the Duomo. They are filled with the creations of Donatello, Verrochio, Desiderio da Settignano, Michelangelo and others. The Accademia has Michelangelo's David – perhaps the most well-known work of art anywhere, plus the unfinished statues of the slaves Michelangelo created for the tomb of Pope Julius II.
Other sights include the medieval city hall, the Palazzo della Signoria (alsdo known as the Palazzo Vecchio), the Archeological Museum, the Museum of the History of Science, the Palazzo Davanzatti, the Stibbert Museum, St. Marks, the Medici Chapels, the Museum of the Works of Santa Croce, the Museum of the Cloister of Santa Maria Novella, the Zoological Museum ("La Specola"), the Bardini, and the Museo Horne. There is also a collection of works by the modern sculptor, Marino Marini, in a museum named after him. The Strozzi Palace is the site of special exhibits.

Visit Florence and stay at Hotel Mario's


venerdì 2 luglio 2010

THE COURSE OF 2010 FIRENZE MARATHON



The Florence Marathon takes place in one of the most fascinating cities in the world and its route takes the runners through the heart of it, filled with monuments and artistic sights. The race starts off at Piazzale Michelangiolo, leaving the breathtaking Ponte Vecchio behind. Half course runs within the historical town centre and a great part across the Cascine Monument and National Park and the Florentine' districts.
Besides the first 3 km which are lightely downhill, the route is entirely flat and is closed to traffic, characteristics which the marathoners appreciate.

The streets of the course:
PIAZZALE MICHELANGIOLO - Partenza - VIALE GALILEI – 1° km - PIAZZALE GALILEO- VIALE MACHIAVELLI – 2° km. – 3° km - PIAZZALE DI PORTA ROMANA- VIALE PETRARCA – 4° km - VIALE V. PRATOLINI - VIALE A. ALEARDI - VIALE R. SANZIO – 5° Km - PIAZZA PIER VETTORI - VIA PISANA – 6° km - VIA SANT’ANGELO - VIA DEL POLLAIUOLO – 7° km - VIA BRONZINO – 8° km - PIAZZA GADDI - VIA DELLA FONDERIA- LUNGARNO SANTA ROSA - LUNGARNO SODERINI – 9° km - PIAZZA NAZARIO SAURO - VIA DEI SERRAGLI – 10° km - PIAZZA DELLA CALZA - VIA ROMANA - PIAZZA PITTI – 11° km - VIA GUICCIARDINI - VIA DEI BARDI - PIAZZA S. MARIA SOPRARNO - LUNGARNO TORRIGIANI - LUNGARNO SERRISTORI – 12° km - PIAZZA POGGI - LUNGARNO CELLINI - PONTE S. NICCOLO’ – 13° km - LUNGARNO DEL TEMPIO - LUNGARNO COLOMBO – 14° km - LUNGARNO ALDO MORO – 15° km - VIA DE NICOLA- VIA GOBETTI - VIA DI VARLUNGO- VIA TURATI - VIA ARETINA – 16° km - VIA DELLA RIPA - VIA ROCCA TEDALDA- VIA ARETINA – 17° km. – 18° km - LARGO MONZANI - VIA ARETINA - PIAZZA L.B. ALBERTI - VIA DI CREDI - VIA MANNELLI – 19° km. – 20° km - PIAZZA VASARI - PONTE DEL PINO - VIA CAMPO D’ARRIGO – 21° km - LARGO GENNARELLI – ½ maratona - VIALE MALTA - VIALE FANTI - VIALE PAOLI – 22° km - VIALE FANTI – 23° km - VIA CIALDINI - VIALE DE AMICIS – 24° km - CAVALCAVIA DELL’AFFRICO - PIAZZA L.B. ALBERTI - VIA PIAGENTINA – 25° km - VIA FRA’ GIOVANNI ANGELICO - VIALE DUCA DEGLI ABRUZZI - VIALE GIOVINE ITALIA - VIA DELL’AGNOLO – 26° km - VIA SANTA VERDIANA - PIAZZA GHIBERTI - LARGO ANNIGONI -VIA DELLA MATTONAIA - VIA NICCOLINI - PIAZZA D’AZEGLIO - VIA DELLA COLONNA – 27° km - PIAZZA SS. ANNUNZIATA - VIA BATTISTI - PIAZZA SAN MARCO - VIA RICASOLI - PIAZZA DUOMO – 28° km - PIAZZA S. GIOVANNI - VIA ROMA - PIAZZA DELLA REPUBBLICA - VIA STROZZI - VIA DELLA VIGNA NUOVA - PIAZZA GOLDONI -BORGO OGNISSANTI – 29° km - VIA IL PRATO - VIA MAGENTA - VIA MONTEBELLO - VIALE F.LLI ROSSELLI – 30° km - PIAZZA VITTORIO VENETO - VIA DEL FOSSO MACINANTE - VIALE DEL VISARNO - PIAZZALE JEFFERSON - VIALE DEGLI OLMI – 31° km - PIAZZALE DELLE CASCINE - VIALE DELL’AERONAUTICA – 32° – 33° km - PIAZZALE DELL’INDIANO - VIALE WASHINGTON - 34° - 35° km - PIAZZALE KENNEDY - VIALE LINCOLN – 36° km. – 37° km - PIAZZALE VITTORIO VENETO - CORSO ITALIA - VIA MAGENTA - VIA SOLFERINO - VIA PALESTRO - VIA MONTEBELLO – 38° km - VIA CURTATONE - LUNGARNO VESPUCCI - LUNGARNO CORSINI - LUNGARNO ACCIAIUOLI – 39° km - VIA POR SANTA MARIA - VIA VACCHERECCIA - PIAZZA DELLA SIGNORIA - VIA CALZAIUOLI - PIAZZA DUOMO (lato misericordia) - VIA DEL PROCONSOLO – 40° Km - VIA GHIBELLINA – 41° km - VIALE GIOVINE ITALIA - PIAZZA PIAVE - LUNGARNO DELLA ZECCA VECCHIA - PIAZZA CAVALLEGGERI - CORSO DEI TINTORI - VIA MAGLIABECHI – 42° km -PIAZZA SANTA CROCE – Arrivo

venerdì 25 giugno 2010

Florence, Italy: Brunelleschi's Dome



The building of the dome on Florence cathedral, by Filippo Brunelleschi, can be considered one of the Renaissance's main building enterprises. The highest expression of a new attitude, placing man and his abilities at the centre of the world and finding in classic antiquity the premises for cultural rebirth after the dark Middle Ages.

Renaissance society was based on completely different values to the medieval ones of chivalry and nobility. The new ideals were self-sufficiency, civic virtue, intelligence and almost unlimited trust in man's abilities.

Even though the Middle Ages weren't that far away and nor could they be considered the backward world depicted for so long, Renaissance men were aware they were different: in less than twenty years, starting from the building of the Brunelleschi Cupola, a small group of artists in just one city, Florence, brought about one of the most important revolutions in cultural history, and not just Italian.

The figure of Brunelleschi was in tune with this new world. He perfectly incarnated the figure of the Renaissance man, free, intelligent and trusting in the strength of his ideas. He was the son of a wealthy Florentine Notary and had been educated in a liberal manner; from boyhood onwards he'd shown interest in sculpture, mechanics and mathematics. To him we owe the study of the linear prospective which up until him, had already been used, but without precise rules of reference.