FIRENZE: PALAZZO DAVANZATI

Façade of the palace.

Palazzo Davanzati is a palace in Florence. It houses the Museum of the Old Florentine House.

Palazzo Davanzati was erected in the second half of the 14th century by the Davizzi family, who were wealthy members of the wool guild. In 1516 it was sold to the Bartolini and, later that century, to the Davanzati family, also rich merchants (1578), who held it until 1838. After the suicide of Carlo Davanzati, it was split into different quarters and modified. After escaping the numerous demolitions of 19th century Florence, it was bought by Elia Volpi, an antiquarian, who restored in (his impression of) the original style.

In 1910, Volpi opened the building as a private museum (Museo Privato della Casa Fiorentina Antica). The contents of this museum kept changing as Volpi sold the furniture at auctions, including in a major sale of 1916 in New York. In the 1920s, Egyptian antique dealers Vitale and Leopoldo Bengujat acquired the building and its contents. In 1951 it was purchased by the Italian state and kept open as a museum. In 1995 it was closed for major restoration to consolidate the building that was falling down. The museum was partially reopened in 2005; the ground and first floors can now be visited.

The palace consists of a facade that unifies a grouping of earlier, medieval tower homes that the owner purchased with the intent to put them together.

It is constructed in sandstone, with three large portals on the horizontal axis, and three stories of mullioned windows. The topmost floor has a loggia supported by four columns and two pilasters that was added in the 16th century. The façade displays the Davanzati coats of arms and has traces of other decorations.

The interior courtyard has arches, vaults, and capitals in 14th century-style.

FIRENZE: CAPPELLA BRANCACCI

The Distribution of Alms and Death of Ananias by Masaccio

The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence. It is sometimes called the "Sistine Chapel of the early Renaissance" for its painting cycle, among the most famous and influential of the period. Construction of the chapel was commissioned by Pietro Brancacci and begun in 1386. Public access is currently gained via the neighbouring convent, designed by Brunelleschi. The church and the chapel are treated as separate places to visit and as such have different opening times and it is quite difficult to see the rest of the church from the chapel.

The patron of the pictorial decoration was Felice Brancacci, descendant of Pietro, who had served as the Florentine ambassador to Cairo until 1423. Upon his return to Florence, he hired Masolino da Panicale to paint his chapel. Masolino's associate, 21 year old Masaccio, 18 years younger than Masolino, assisted, but during painting Masolino left to Hungary, where he was painter to the king, and the commission was given to Masaccio. By the time Masolino returned he was learning from his talented former student. However, Masaccio was called to Rome before he could finish the chapel, and died in Rome at the age of 27. Portions of the chapel were completed later by Filippino Lippi. Unfortunately during the Baroque period some of the paintings were seen as unfashionable and a tomb was placed in front of them.

Stay at Hotel Mario's: we help you to enjoy Florentine culture.

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

Website: www.hotelmarios.com

Wine Town 2011 comes to Florence

An exciting new event will combine excellent wine and great food with the chance to visit some of the city’s top artistic venues. It’s the perfect way to tempt the taste buds and nourish the heart.
On September 24 and 25, the 2011 edition of WINE TOWN will be taking the Florence city center by storm. Tourists and locals won’t want to miss cooking demonstrations and wine sampling events aimed at promoting and upholding the territory’s most famed products. The event will take place in various areas, from Palazzo Pitti’s Cortile Ammannati and the Oltrarno District to Florence’s Central Market in San Lorenzo, built by Giuseppe Mengoni in the years in which Florence was capital of Italy. It is still one of the city’s top spots for buying ultra-fresh seasonal produce.
Wine Town showcases evocative places to sample wine; it’s an extravaganza that includes the unforgettable chance to combine wine sampling and artistic enjoyment. From Santo Spirito Church, (created in the mid-16th century by Bartolomeo Ammanati) to the Loggia del Grano commissioned in 1691 by Cosimo de’ Medici and Palazzo Davanzati, one of the most prestigious ancient residences of Florence—there are tons of incredible spots just waiting to be discovered.  Step by step, palace by palace, guests will be intrigued by the men and women who were key to Florence’s history. From old-time banker Piero di Ghino Giucciadini to Filippo Corsini, who served six times as Confaloniere of justice—why not get to know that city’s top historical figures? A good story and a tasty glass of Tuscan red or white, makes for a sure-fire success. 

 

Enjoy Florence and stay at Hotel Mario's.

Hotel Mario's

Via Faenza, 89

50123 Firenze

Tel. 0039 055 216 801

Fax 0039 055 212 039

Mailbox: hotelmarios@hotelmarios.com

Website: www.hotelmarios.com

Appuntamento domenica 27 novembre 2011 con la 28^ edizione della classica internazionale di corsa su strada

E’ il fascino avvolgente di secoli di arte, storia e cultura che ti accompagna, passo dopo passo, lungo i 42 chilometri e 195 metri della Firenze Marathon. Un’emozione unica che solo chi ha corso a Firenze può raccontare e che ha trasformato la classica della città del giglio in un appuntamento irrinunciabile per migliaia di sportivi e appassionati provenienti da tutto il mondo, puntuale ogni anno, l’ultima domenica di novembre.

L’evento fiorentino è cresciuto in maniera esponenziale in questi ultimi anni, tanto che lo scorso 28 novembre in occasione della XXVII edizione è stato centrato il nuovo record di iscritti, con 10200  podisti provenienti da 62  paesi. Numeri impressionanti, a testimonianza di una crescita che non è solo numerica, ma anche qualitativa, che hanno trasformato la Firenze Marathon nella seconda maratona italiana, alle spalle soltanto di Roma.

Una manifestazione che non è solo un evento sportivo, ma anche un fatto di costume e di cultura davanti a cui non si può che restare incantati. E’ questa la sensazione che ha accomunato migliaia di podisti e che hanno potuto provare anche i tanti spettatori collegati suRaisport1, per seguire le tre ore di diretta riservate alla XXVII Firenze Marathon dalla Tgs-Raisport. E’ il settimo anno consecutivo che la Rai dedica la diretta alla manifestazione fiorentina, a giusto riconoscimento della crescente importanza assunta dall’evento in questi anni. Parlare solo di numeri, però, non renderebbe il giusto merito ad una maratona che ha raggiunto ormai un livello organizzativo di assoluta eccellenza e che può vantare un palcoscenico eccezionale come Firenze, una città unica al mondo per la sua bellezza e per la sua atmosfera.

La Firenze Marathon è il principale evento di corsa su strada che si svolge in Toscana e, insieme a Roma, è ormai di diritto la maratona internazionale più importante d'Italia e tra le prime 20 al mondo per numero di partecipanti e per qualità.

Il percorso fiorentino si muove attraverso scorci paesaggistici e monumenti di una bellezza unica, che hanno reso famosa la città nel mondo. Un nuovo tracciato che tocca i luoghi più affascinanti di Firenze, come piazza del  Duomo, piazza della Signoria, Ponte Vecchio e tante altre strade e piazze ricche di storia e di cultura, prima di concludersi nella solenne maestosità di piazza Santa Croce. Il percorso è senza dislivelli, come previsto dalle norme IAAF, e sempre su strade asfaltate, caratteristiche che lo rendono particolarmente scorrevole e apprezzato da tutti gli atleti. La Firenze Marathon è inserita nel calendario ufficiale delle maratone internazionali, certificata AIMS e riconosciuta dalla IAAF.

PER IL TUO SOGGIORNO A FIRENZE, HOTEL MARIO'S

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze

Tel. 055 216 801

Fax 055 212 039

E-mail: hotelmarios@hotelmarios.com

Sito: www.hotelmarios.com

NOVEMBER 27, 2011: fIRENZE MARATHON

Sunday, 27th November 2011, is the date of the 2011 edition of the international classic road race, the 28th Florence Marathon. Step by step all along its 42 kilometers and 195 meters you are surrounded by centuries of art, history and culture, a unique emotion that can only be experienced by those who run in Florence. Year after year, thousands of sportspeople and enthusiasts from all over the world come to participate in this classic race on the last Sunday in November. This great event in Florence has increased immeasurably recently so much so that we expect more than 11.500 participants in 2011.

This extraordinary increase in participation also testifies to the constant attention given to the organization of the race. Florence Marathon is now the second Italian marathon (after Rome), and among the 20 most important marathons in the world. The route takes you by all those landmarks of singular beauty that have made Florence famous worldwide: views over the enchanting hills and countryside, and passing right by the Cathedral Square, Piazza della Signoria, Ponte Vecchio (to mention only just a few of historical importance), before entering the majestic Piazza Santa Croce.  The road is entirely asphalted and ramp-free, except for the short, slightly sloping stretch of road at the start, and these characteristics make it a particularly fast route appreciated by runners.

ENJOY THE MARATHON AND STAY AT HOTEL MARIO'S

HOTEL MARIO'S
Via Faenza, 89
50123 Firenze
Tel. 0039 055 216 801
Fax 0039 055 212 039
E-mail: hotelmarios@hotelmarios.com
Internet site: www.hotelmarios.com

03/11 DECEMBER 2011: Biennale Internazionale dell'Arte Contemporanea

The Florence Biennale was founded in 1997 as a global convocation of artists with all their diversity. It was the right time for an idea like this. By the late 1990s, contemporary art was at a cross road. The old assumptions – that art came in waves, each named with an ‘ism’ by the end, that auction prices equal the value received, that painting was ‘dead’ and so on – those assumptions were collapsing. Suddenly it was obvious that art was alive, thriving, and as varied as humanity. Artists are everywhere. Around that time, in the old Florence, something new was stirring. A committee of Italian artists and curators proposed a biennial where talented and recognized artists could exhibit their latest work. The artists would decide the way of exhibiting their work. The risks were enormous: there had never been a show on this scale with a direct connection between artists’ studios and the exhibition walls. The evaluation of unfiltered results would be assigned to an International Jury. In 1997, with hardly any publicity, the invitations were sent. The response was impressive: 317 artists from 17 different countries.
By 2003, the 4th Florence Biennale had grown into the world’s most comprehensive exhibition of contemporary art, showing more than 800 artists from 70 different countries. This year’s 7th Biennale builds on those numbers and broadens its horizons.

Those expecting a single curatorial vision will be astonished by its polyglot multiplicity. The only curator is who visits the show. Here are 3000 paintings, sculptures, prints and installations. Make your ‘short list’ – there aren’t going to be two lists alike.
Artists at every stage of their careers, including the most eminent artists, play key roles at the Biennale. Their presence is the confirmation that the garden of art yields wondrous fruit when tilled by many hands. Past distinguished recipients of the "Lorenzo il Magnifico" Award for Career Achievement include Chen Cheng-Hsiung (2001, the first Chinese abstract expressionist painter), David Hockney (2003), Christo and Jeanne-Claude, Richard Anuskiewicz (Optical Art in the '60) and Gilbert and George in the 2007. This year Career Awards will be bestowed on Marina Abramovic, and Shu Yong.

The Biennale believes in promoting respect and tolerance among the world’s artists. In 2001, the Biennale was recognized by the United Nations as an official partner in its program, Dialogue among Civilizations. In 2005 features its collaborative association with the Triennale of India, the most important contemporary art exhibition in Asia, and in 2003 with the Turku Biennale in Finland. The interaction of art and science is an ongoing theme of the Biennale. FB03 presented exhibitions of the Vatican Museums Conservation Laboratory and historic Ferrari racing cars. Streamlined speed was again seen in this 2005 show of classic motorcycles by Harley Davidson.
The 7th Edition of Florence Biennale confirm the role of this exhibition in the world of contemporary art, with its 650 artists, 84 nations represented and more than 2500 artworks exhibited. 

 

Stay at Hotel Mario's and enjoy this important exhibition.

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

Internet site: www.hotelmarios.com

Bigallo - new info point in Florence

Since the beginning of August, at the corner between Piazza del Duomo and Via Calzaioli, in Florence, at the Loggia del Bigallo, there is a new info point, where tourists can find all kind of information, maps, suggestion and support for their stay in Florence.
 It's an amazing infopoint, since the place looks more like a museum than an office.
It's actually also a museumm, that it's possible to be visited for free, but with a reservation calling : +39-055-288496 ( visit from August 6th to December 31st ).

 
 We think is a marvellous thing. So, if you don't get the information you need at Hotel Mario's ( we are usually able to offer the same service here at the desk ) you could go in this new "old" place.

For your stay in Florence, nothing better than Hotel Mario's, a great little charming hotel in the heart of Florence ( near the Duomo the train station of Santa Maria Novella and the San Lorenzo market )

The Palio di Sienna

Today is the Palio day. What's the Palio?
The Palio of Siena with its exciting horse race is one of the most popular and well-known historic festivals in Italy. The contest to win the palio of Siena is a horse race run in Siena's fan-shaped main square, Piazza del Campo or Il Campo.
Siena is divided into 17 neighborhoods, or contrade, each with a rider. Ten contrade take part in the first race, July 2, chosen by a draw 20 days before the race. The other seven plus three from the July race compete August 16. Horses are assigned to the riders by a draw three days before the race.
Originally, there were about fifty-nine "Contrade"; now only seventeen remain, ten of which take part in the historical pageant and in the race at each Palio (seven by right and three drawn by lots).
The 17 Contrade are: Eagle, Snail, Wave, Panther, Forest, Tortoise, Owl, Unicorn, Shell, Tower, Ram, Caterpillar, Dragon, Giraffe, Porcupine, She-Wolf, Goose.
Each Contrada has its own unique emblem and colors and represents an area of the city. As one walks through the streets of Siena it is easy to know in which Contrada you currently are in by observing the flags and emblems displayed along the street. Much like street signs, corners often designate the entrance into a different Contrada with signs as the ones in the picture below.
The Palio horse race takes place twice a year, one the 2nd of July (Palio of Provenzano, in honor of the Madonna of Provenzano) and on August 16th (Palio of the Assumption, in honor of the Virgin Mary's Assumption).
During this special occasion, the main square in Siena, the Piazza del Campo, is prepared for the race as the ring around the square is covered with tuff clay.
 Places where to stay:
All accommodation and hotels will be filled for months if not years before hand. To be in Siena during June and August, when the races are run, is expensive and needs to be prebooked. Try to reserve your rooms at least one year before hand, if you wish to stay in Siena during the summer months. All of the central buildings are full to capacity with people hanging out of the windows.So, this is also a good reason to stay in Florence throughout the days of the Palio, in order to have a less crowded situation, but being very close to Sienna as well.
 Hotel Mario's is glad to give availabilities for these days. We are close to the central staion of Florence, Santa Maria Novella, very close to the Sita bus station  where you could easily catch a bus to Siena every hour.
Hotel Mario's is a friendly and small hotel in the centre of the city of Florence.
You can contact us for booking a room:
www.hotelmarios.com
info@hotelmarios.com
Via Faenza 89,
50123
Florence(Tuscany)
Italy

BEATO ANGELICO: San Marco, Florence, 1436–1445

Posthumous portrait of Fra Angelico by Luca Signorelli

Fra Angelico (c. 1395 – February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having "a rare and perfect talent". He was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole) and by Vasari as Fra Giovanni Angelico (Brother John the Angelic One).

Fra Angelico is known in Italy as il Beato Angelico, the term "Il Beato" ("Blessed One") being already in use during his lifetime or shortly thereafter, in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, in recognition of the holiness of his life, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows as a Dominican friar, and was used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus—"Blessed Giovanni of Fiesole, nicknamed Angelico".

Vasari wrote of Fra Angelico:

But it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety.

In 1436 Fra Angelico was one of a number of the friars from Fiesole who moved to the newly-built Friary of San Marco in Florence. This was an important move which put him in the centre of artistic activity of the region and brought about the patronage of one of the wealthiest and most powerful members of the city's Signoria, Cosimo de' Medici, who had a large cell (later occupied by Savonarola) reserved for himself at the friary in order that he might retreat from the world. It was, according to Vasari, at Cosimo's urging that Fra Angelico set about the task of decorating the monastery, including the magnificent Chapter House fresco, the often-reproduced Annunciation at the top of the stairs to the cells, the Maesta with Saints and the many smaller devotional frescoes depicting aspects of the Life of Christ that adorn the walls of each cell.

The Maestà (Madonna enthroned) with Saints; San Marco, Florence

In 1439 he completed one of his most famous works, the Altarpiece for St. Marco's, Florence. The result was unusual for its times. Images of the enthroned Madonna and Child surrounded by saints were common, but they usually depicted a setting that was clearly heavenlike, in which saints and angels hovered about as divine presences rather than people. But in this instance, the saints stand squarely within the space, grouped in a natural way as if they were able to converse about the shared experience of witnessing the Virgin in glory. Paintings such as this, known as Sacred Conversations, were to become the major commissions of Giovanni Bellini, Perugino and Raphael.

 

Visit Florence's culture and stay at Hotel Mario's

 

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

Internet site: www.hotelmarios.com 

LITERATURE IN FLORENCE

Decameron (1350–1353) by Giovanni Boccaccio.

Despite Latin being the main language of the courts and the Church, writers such as Dante Alighieri and many others used their own language, the Florentine dialect, in composing their works. The oldest literary pieces written in vernacular language go as far back as the 13th century. Florence's literature fully blossomed in the 14th century, when not only Dante with his Divine Comedy (1306–1321) and Petrarch, but also poets such as Guido Cavalcanti and Lapo Gianni composed their most important works. Dante's masterpiece is the Divine Comedy, which mainly deals with the poet himself taking an allegoric and moral tour of Hell, Purgatory and finally Heaven, during which he meets numerous mythological or real characters of his age or before. He is first guided by the Roman poet Virgil, whose non-Christian beliefs damned him to Hell. Later on he is joined by Beatrice, who guides him through Heaven.

In the 14th century, Petrarch and Giovanni Boccaccio led the literary scene in Florence after Dante's death in 1321. Petrarch was an all-rounder writer, author and poet, but was particularly known for his Canzoniere, or the Book of Songs, where he conveyed his unremitting love for Laura. His style of writing has since become known as Petrarchism. Boccaccio was better known for his Decameron, a slightly grim story of Florence during the 1350s bubonic plague, known as the Black Death, when some people fled the ravaged city to an isolated country mansion, and spent their time there recounting stories and novellas taken from the medieval and contemporary tradition. All of this is written in a series of 100 distinct novellas.

In the 16th century, during the Renaissance, Florence was the hometown of political writer and philosopher Niccolò Machiavelli, whose ideas on how rulers should govern the land, detailed in The Prince, spread across European courts and enjoyed enduring popularity for centuries. These principles became known as Machiavellianism.

Visit Florence and stay at Hotel Mario's.

Hotel Mario's

Via Faenza, 89

50123 Firenze - Italy

Tel. 0039 055 216 801

Fax 0039 055 212039

E-mail: hotelmarios@hotelmarios.com

Internet site: www.hotelmarios.com

ART IN FLORENCE

Florence has a legendary artistic heritage. Cimabue and Giotto, the fathers of Italian painting, lived in Florence as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.

Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages" the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis Buonarroti' s house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones. Great monuments are the landmarks of Florentine artistic culture: the Florence Baptistery with its mosaics; the Cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archeological museum includes documents of Etruscan civilization. In fact the city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.

Uffizi hallway

Florentine architects such as Filippo Brunelleschi (1377–1466) and Leon Battista Alberti (1404–1472) were among the fathers of both Renaissance and Neoclassical architecture,

The cathedral, topped by Brunelleschi's dome, dominates the Florentine skyline. The Florentines decided to start building it – late in the 13th century, without a design for the dome. The project proposed by Brunelleschi in the 14th century was the largest ever built at the time, and the first major dome built in Europe since the two great domes of Roman times – the Pantheon in Rome, and Hagia Sophia in Constantinople. The dome of Santa Maria del Fiore remains the largest brick construction of its kind in the world. In front of it is the medieval Baptistery. The two buildings incorporate in their decoration the transition from the Middle Ages to the Renaissance. In recent years, most of the important works of art from the two buildings – and from the nearby Giotto's Campanile, have been removed and replaced by copies. The originals are now housed in the Museum dell'Opera del Duomo, just to the east of the Cathedral.

Florence has large numbers of art-filled churches, such as San Miniato al Monte, San Lorenzo, Santa Maria Novella, Santa Trinita, Santa Maria del Carmine, Santa Croce, Santo Spirito, the Annunziata, Ognissanti and numerous others.

Palazzo della Signoria

Artists associated with Florence range from Arnolfo di Cambio and Cimabue to Giotto, Nanni di Banco, and Paolo Uccello; through Lorenzo Ghiberti, and Donatello and Massaccio and the della Robbia family; through Fra Angelico and Botticelli and Piero della Francesca, and on to Michelangelo and Leonardo da Vinci. Others include Benvenuto Cellini, Andrea del Sarto, Benozzo Gozzoli, Domenico Ghirlandaio, Filippo Lippi, Bernardo Buontalenti, Orcagna, Pollaiuolo, Filippino Lippi, Verrocchio, Bronzino, Desiderio da Settignano, Michelozzo, the Rossellis, the Sangallos, and Pontormo. Artists from other regions who worked in Florence include Raphael, Andrea Pisano, Giambologna, Il Sodoma and Peter Paul Rubens.

Brunelleschi's dome

The Uffizi and the Pitti Palace are two of the most famous picture galleries in the world. Two superb collections of sculpture are in the Bargello and the Museum of the Works of the Duomo. They are filled with the creations of Donatello, Verrochio, Desiderio da Settignano, Michelangelo and others. The Accademia has Michelangelo's David – perhaps the most well-known work of art anywhere, plus the unfinished statues of the slaves Michelangelo created for the tomb of Pope Julius II.

Other sights include the medieval city hall, the Palazzo della Signoria (alsdo known as the Palazzo Vecchio), the Archeological Museum, the Museum of the History of Science, the Palazzo Davanzatti, the Stibbert Museum, St. Marks, the Medici Chapels, the Museum of the Works of Santa Croce, the Museum of the Cloister of Santa Maria Novella, the Zoological Museum ("La Specola"), the Bardini, and the Museo Horne. There is also a collection of works by the modern sculptor, Marino Marini, in a museum named after him. The Strozzi Palace is the site of special exhibits.

Visit Florence and stay at Hotel Mario's

FASHION DESIGNERS OF FLORENCE

Luxury boutiques along Florence's prestigious Via de' Tornabuoni.

Florence being historically the first home of Italian fashion (the 1951–1953 soirées held by Giovanni Battista Giorgini are generally regarded as the birth of the Italian school as opposed to French haute couture) is also home to the Italian fashion establishment Salvatore Ferragamo. Gucci, Enrico Coveri, Emilio Pucci, Patrizia Pepe, Ermanno Scervino and many others are founded and located in Florence. Prada, Roberto Cavalli, and Chanel have large offices and stores in Florence or its outskirts. Florence's main upscale shopping street is Via de' Tornabuoni, where major luxury fashion houses and jewelry labels, such as Armani, Ferragamo and Bulgari, have their boutiques.

The San Lorenzo market is now largely for tourists. Great places to walk include along the Arno and across any of its bridges, through narrow, medieval back streets in the Santa Croce area and in the Oltr'Arno – on the south side of the river, in many ways like Rome's Trastevere or Paris's Left Bank – but far smaller. There are also superb shopping streets, such as the Via Tornabuoni, the Via del Parione, and the Via Maggio.

Visit Florence and stay at Hotel Mario's.

Hotel Mario's
Via Faenza, 89
50123 Florence - Italy
Tel. 0039 055 216 801
Fax 0039 055 212039
E-mail: hotelmarios@hotelmarios.com
Internet site: www.hotelmarios.com 

FORTE DI BELVEDERE

Fortification

The Forte di Belvedere or Fortezza di Santa Maria in San Giorgio del Belvedere (often called simply Belvedere) is a fortification in Florence, Italy. It was built by Grand Duke Ferdinando I de' Medici during the period 1590–1595, with Bernardo Buontalenti as the designer, to protect the city and its rule by the Medici family.

On the same side of the river as the Grand Ducal palace, the Pitti Palace in the Oltrarno district of the city, today the grounds provide spectacular outlooks over Florence; the buildings are used to hold works of art, and as a venue for exhibitions of contemporary sculpture.

The design and construction of the Fort were entrusted to architect Bernardo Buontalenti, the chief architect for both Cosimo I and his son, Ferdinando. The Fort served many purposes: to protect the center of government in Florence, the Pitti Palace; to protect the south end of the city of Florence and the Oltrarno district; to demonstrate the power of the Medici family; hold the treasury of the Medici; and finally to provide a shelter for the Grand Duke if the city came under attack. The fort was connected to Palazzo Vecchio via the Vasari Corridor over Ponte Vecchio, passages in the Pitti Palace and paths through Boboli Gardens.

Buontalenti applied contemporary fortification principles when he designed the Fort. The walls are designed at angles that allow for all the walls to be seen by another wall, allowing for cross fire to assist in protecting the other walls. The location where the fort was placed had long been considered of strategic importance since the time of Michelangelo, then head engineer of fortifications. An earlier version of the fort was built of earth and stone gabions as seen in frescoes in Palazzo Vecchio.

In addition to being a fortification, the Belvedere was meant to be a sign of Medici prestige. The villa inside the fortress was designed to be elegant and did not adhere to the military purposes of the rest of the fort. Since the villa was meant to be used as the residence of the Grand Duke during times of unrest or epidemic, it was built as a comfortable, luxurious palace, another sign of Medici domination in Florence.

The Fort served as a garrison for troops for over 100 hundred years after its completion.

Visit Florence and stay at our hotel:

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze - Italy

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

www.hotelmarios.com

OSPEDALE DEGLI INNOCENTI

The Ospedale degli Innocenti is a historical building in Florence, central Italy. Designed by Filippo Brunelleschi, who received the commission in 1419, it was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence. That guild was one of the wealthiest in the city and, like most guilds, took upon itself philanthropic duties.

The façade is made up of nine semicircular arches springing from columns of the Composite order. The semicircular windows brings the building down, earthbound and is a revival of the classical style, no longer a pointed arch. In the spandrels of the arches there are glazed blue terracotta roundels with reliefs of babies suggesting the function of the building. There is an emphasis on the horizontal because the building is longer than it is tall. Above each semicircular arch is a tabernacle window (a rectangular window with a triangular pediment on the top).

The clean and clear sense of proportion is reflected in the building. The height of the columns is the same width of the intercolumniation and the width of the arcade is equal to the height of the column, making each bay a cube. The simple proportions of the building reflect a new age, of secular education and a sense of great order and clarity. Also half the height of the column is the height of the entablature, which is appropriate for a clear minded society.

Ospedale degli Innocenti

Children were sometimes abandoned in a basin which was located at the front portico. However, this basin was removed in 1660 and replaced by a wheel for secret refuge. There was a door with a special rotating horizontal wheel that brought the baby into the building without the parent being seen. This allowed people to leave their babies, anonymously, to be cared for by the orphanage. This system was in operation until the hospital's closure in 1875. Today the building houses a small museum of Renaissance art.

Visit Florence and stay at our hotel:

HOTEL MARIO'S
Via Faenza, 89
50123 Florence - Italy 

email: info@hotelmarios.com

www.hotelmarios.com

Pizza,pasta,maccheroni: Hotel Mario's don't let you go to bed without eating

Dear friends,

 Since last June Hotel Mario's is glad to inform its clients that we have a notice: it's possible to serve pasta, anytime during the day, for who doesn't want to spend either the night or the lunch at the restaurant. We have some types of dirrent genuine pasta.

 We also have Pizza; in only one month we served that much more than what we expected and we probably add some other dishes. So, it's important you know that by now you can also eat at Hotel Mario's.
 We are in Florence, downtown, near the  train station Santa Maria Novella ( the central one ) and very close to the market of San Lorenzo.
Check our rates and availabilities on our website:
www.hotelmarios.com
email: info@hotelmarios.com

via Faenza, 89
50123
Florence
Italy

Moto GP, Mugello, close to Florence city

The Italian Grand Prix of 2011 MotoGP calendar will be in July, 3rd, 2011 on the circuit of MUGELLO. Hotel Mario's is located in Florence, just few miles from the area of Mugello.
 We are in the centre of Florence, we have an agreement with a parking and you would be easily able to reach Florence and drop your car.
 We still have some rooms available form the next weekend.


Hotel Mario's,
Florence,
via Faenza 89,
50123
Italy ( Tuscany )
www.hotelmarios.com
info@hotelmarios.com

Roman origins of Florence

A wooden model of Florence

Florence was established by Lucius Cornelius Sulla in 80 BC as a settlement for his veteran soldiers and was named originally Fluentia, owing the fact that it was built between two rivers, which was later corrupted to Florentia. It was built in the style of an army camp with the main streets, the cardo and the decumanus, intersecting at the present Piazza della Repubblica. Situated at the Via Cassia, the main route between Rome and the north, and within the fertile valley of the Arno, the settlement quickly became an important commercial centre. The Emperor Diocletian is said to have made Florentia the seat of a bishopric around the beginning of the 4th century AD, but this seems impossible in that Diocletian was a notable persecutor of Christians.

In the ensuing two centuries, the city experienced turbulent periods of Ostrogothic rule, during which the city was often troubled by warfare between the Ostrogoths and the Byzantines, which may have caused the population to fall to as few as 1,000 people. Peace returned under Lombard rule in the 6th century. Florence was conquered by Charlemagne in 774 and became part of the Duchy of Tuscany, with Lucca as capital. The population began to grow again and commerce prospered. In 854, Florence and Fiesole were united in one county.

HOUSE OF MEDICI

The House of Medici or Casa de' Medici  was a political dynasty, banking family and later royal house that first began to gather prominence under Cosimo de' Medici in the Republic of Florence during the late 14th century. The family originated in the Mugello region of the Tuscan countryside, gradually rising until they were able to found the Medici Bank. The bank was the largest in Europe during the 15th century, seeing the Medici gain political power in Florence — though officially they remained simply citizens, rather than monarchs. The Medici produced four Popes of the Catholic Church and in 1531 the family became hereditary Dukes of Florence. In 1569, the duchy was elevated to a grand duchy after territorial expansion. They ruled the Grand Duchy of Tuscany from its inception until 1737, with the death of Gian Gastone de' Medici. The grand duchy witnessed degrees of economic growth under the earlier grand dukes, but by the time of Cosimo III de' Medici, Tuscany was fiscally bankrupt.

Their wealth and influence initially derived from the textile trade guided by the guild of the Arte della Lana. Like other signore families they dominated their city's government. They were able to bring Florence under their family's power, allowing for an environment where art and humanism could flourish. They fostered and inspired the birth of the Italian Renaissance along with other families of Italy, such as the Visconti and Sforza of Milan, the Este of Ferrara, and the Gonzaga of Mantua.

The Medici Bank was one of the most prosperous and most respected institutions in Europe. There are some estimates that the Medici family were the wealthiest family in Europe for a period of time. From this base, they acquired political power initially in Florence and later in wider Italy and Europe. A notable contribution to the profession of accounting was the improvement of the general ledger system through the development of the double-entry bookkeeping system for tracking credits and debits. This system was first used by accountants working for the Medici family in Florence.

Pitti Bimbo, June 2011, Florence and children's fashion

 Pitti Bimbo in Florence, next 23th, 24th and 25th of June 2011 at the Fortezza da Basso, just few metres far from Hotel Mario's ( via Faenza 89 ).
The world preview of clothing and accessories collections for children and teens (0 to 18 years), maternity wear, and childcare products for the fall-winter season.
Pitti Immagine Bimbo is the world’s reference in fashions for the youngest set and the focus of trends and novelties for the whole industry.
The only event anywhere that presents a complete overview of children’s fashions is more contemporary than ever, featuring not only different looks – from the sportswear at SportGeneration to the classic-elegance of the big names at Pitti Bimbo, from the creativity of the independent brands.

Opening hours:show  9.00 am - 6.00 pm
last day show  9.00 am - 4.00 pm

Buyers only.

For further information:ph. +39 055 36931
email: info@pittimmagine.com
web: www.pittimmagine.com
Address:
Viale Filippo Strozzi, 1, 50129 Florence (FI)

Hotel Mario's invites all the buyers to stay in a friendly and welcoming place.
Contact us:

Hotel Mario's
via Faenza 89
50123
Florence ( Italy )

Contact us:
info@hotelmarios.com
tel: +39-055-216801
fax:+39-055-212039

Pitti Immagine Uomo, soon in Florence

Pitti Uomo will take place again here in Florence from 14th to 17th of June 2011 at the Fortezza Da Basso. The atmosphere, during that days, is amazing and we invite everybody to come in that period, if you like fashion,people,beautiful women and international atmosphere.
 As every year, here at Hotel Mario's, we are fully booked, but try to contact us as well. We are keen to let the people know how friendly and nice is the stay at Hotel Mario's.
 We are only few metres far from the Fortezza da Basso, where Pitti Immagine Uomo is.

Hotel Mario's,
via Faenza 89,
50123
Florence
(Tuscany), Italy
www.hotelmarios.com
info@hotelmarios.com