BEATO ANGELICO: San Marco, Florence, 1436–1445

Posthumous portrait of Fra Angelico by Luca Signorelli

Fra Angelico (c. 1395 – February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter described by Vasari in his Lives of the Artists as having "a rare and perfect talent". He was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole) and by Vasari as Fra Giovanni Angelico (Brother John the Angelic One).

Fra Angelico is known in Italy as il Beato Angelico, the term "Il Beato" ("Blessed One") being already in use during his lifetime or shortly thereafter, in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, in recognition of the holiness of his life, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows as a Dominican friar, and was used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus—"Blessed Giovanni of Fiesole, nicknamed Angelico".

Vasari wrote of Fra Angelico:

But it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety.

In 1436 Fra Angelico was one of a number of the friars from Fiesole who moved to the newly-built Friary of San Marco in Florence. This was an important move which put him in the centre of artistic activity of the region and brought about the patronage of one of the wealthiest and most powerful members of the city's Signoria, Cosimo de' Medici, who had a large cell (later occupied by Savonarola) reserved for himself at the friary in order that he might retreat from the world. It was, according to Vasari, at Cosimo's urging that Fra Angelico set about the task of decorating the monastery, including the magnificent Chapter House fresco, the often-reproduced Annunciation at the top of the stairs to the cells, the Maesta with Saints and the many smaller devotional frescoes depicting aspects of the Life of Christ that adorn the walls of each cell.

The Maestà (Madonna enthroned) with Saints; San Marco, Florence

In 1439 he completed one of his most famous works, the Altarpiece for St. Marco's, Florence. The result was unusual for its times. Images of the enthroned Madonna and Child surrounded by saints were common, but they usually depicted a setting that was clearly heavenlike, in which saints and angels hovered about as divine presences rather than people. But in this instance, the saints stand squarely within the space, grouped in a natural way as if they were able to converse about the shared experience of witnessing the Virgin in glory. Paintings such as this, known as Sacred Conversations, were to become the major commissions of Giovanni Bellini, Perugino and Raphael.

 

Visit Florence's culture and stay at Hotel Mario's

 

HOTEL MARIO'S

Via Faenza, 89

50123 Firenze

Tel. 0039 055 216 801

Fax 0039 055 212 039

E-mail: hotelmarios@hotelmarios.com

Internet site: www.hotelmarios.com 

VIEW OF FLORENCE

Hotel Mario's............the place of Florentine style!!!

Florence has a legendary artistic heritage. Cimabue and Giotto, the fathers of Italian painting, lived in Florence as well as Arnolfo and Andrea Pisano, renewers of architecture and sculpture; Brunelleschi, Donatello and Masaccio, forefathers of the Renaissance, Ghiberti and the Della Robbias, Filippo Lippi and Angelico; Botticelli, Paolo Uccello and the universal genius of Leonardo da Vinci and Michelangelo.

Their works, together with those of many other generations of artists, are gathered in the several museums of the town: the Uffizi Gallery, the Palatina gallery with the paintings of the "Golden Ages", the Bargello with the sculptures of the Renaissance, the museum of San Marco with Fra Angelico's works, the Academy, the chapels of the Medicis, Buonarroti' s house with the sculptures of Michelangelo, the following museums: Bardini, Horne, Stibbert, Romano, Corsini, The Gallery of Modern Art, the Museo dell'Opera del Duomo, the museum of Silverware and the museum of Precious Stones.
The "Circumcision of Jesus", a Renaissance painting by Andrea Mantegna.

Great monuments are the landmarks of Florentine artistic culture: the Florence Baptistery with its mosaics; the Cathedral with its sculptures, the medieval churches with bands of frescoes; public as well as private palaces: Palazzo Vecchio, Palazzo Pitti, Palazzo Medici Riccardi, Palazzo Davanzati; monasteries, cloisters, refectories; the "Certosa". In the archeological museum includes documents of Etruscan civilization. In fact the city is so rich in art that some first time visitors experience the Stendhal syndrome as they encounter its art for the first time.
The 15th century early-Renaissance frescos in the Cappella dei Magi in the Palazzo Medici-Riccardi.

The Florentines – perhaps most notably Filippo Brunelleschi (1377–1466) and Leon Batist'Alberti (1404–1472) – invented both Renaissance and Neoclassical architecture, which revolutionized the way Rome, London and Paris and every other major city in Europe – from Barcelona to St. Petersburg – were built. The cathedral – one of the largest churches, topped by Brunelleschi's dome, dominates the Florentine skyline. The Florentines decided to start building it – late in the 13th century – knowing they did not know how they were going to do it. It was "technology forcing" – like the Kennedy Administration's decision to put a man on the moon. The dome was the largest ever built at the time, and the first major dome built in Europe since the two great domes of Roman times – the Pantheon in Rome, and Hagia Sophia in Constantinople. As a matter of fact, as mentioned in sections above, the Santa Maria del Fiore dome remains the largest brick dome of its kind in the world. In front of it is the medieval gem of the Baptistery, where every Florentine was baptized until modern times. The two buildings incorporate in their decoration the transition from the Middle Ages to the Renaissance. In recent years, most of the important works of art from the two buildings – and from the wonderful Bell Tower, designed by Giotto, have been removed and replaced by copies. The originals are now housed in the spectacular Museum of the Works of the Duomo, just to the east of the Cathedral.

Florence has large numbers of art-filled churches, such as San Miniato al Monte, San Lorenzo, Santa Maria Novella, Santa Trinita, the Brancacci Chapel at Santa Maria della Carmine, Santa Croce, Santo Spirito, SS Annunziata, Ognissanti and many more.
The Palazzo della Signoria, better known as the Palazzo Vecchio (English:The Old Palace).

And that is without mentioning any "artists". From Arnolfo and Cimabue to Giotto, Nanni di Banco, and Uccello; through Lorenzo Ghiberti, and Donatello and Massaccio and the various della Robbias; through Fra Angelico and Botticelli and Piero della Francesca, and on to Michelangelo and Leonardo da Vinci, the Florentines have dominated the visual arts in a great way. And this list does not include many who, in any other place would be considered among the greatest of artists, but in Florence must be considered among the near-great: Benvenuto Cellini, Andrea del Sarto, Benozzo Gozzoli, Domenico Ghirlandaio, Fra Lippo Lippi, Buontalenti, Orcagna, Pollaiuolo, Filippino Lippi, Verrocchio, Bronzino, Desiderio da Settignano, Michelozzo, the Rossellis, the Sangallos, Pontormo, just to name a few. And this list does not include the prolific Ignoto. Nor does it include the near-Florentines, such as Raphael, Andrea Pisano, Giambologna, the wonderfully nicknamed Sodoma and so many more, such as Peter-Paul Rubens — all of whom spent time in Florence and were nurtured by it.
The statue of Perseo by Cellini in the Loggia dei Lanzi.

Then there are the art galleries. The Uffizi and the Pitti Palace are two of the most famous picture galleries in the world. But the heart and soul of Florence are in the two superb collections of sculpture, the Bargello and the Museum of the Works of the Duomo. They are filled with the brilliant, revolutionary creations of Donatello, Verrochio, Desiderio da Settignano, Michelangelo and so many other masterpieces that create a body of work unique in the world. And, of course, there is the Accademia, with Michelangelo's David – perhaps the most well-known work of art anywhere, plus the moving unfinished statues of the slaves Michelangelo created for the tomb of Pope Julius II.

In all, Florence has a great and numerous amount of museums. Among those at the top of most lists – other than those above – are: the impressive medieval city hall, the Palazzo della Signoria (a.k.a Palazzo Vecchio), a wonderful building with magnificent rooms and some great art; the Archeological Museum, the Museum of the History of Science, the Palazzo Davanzatti, the Stibbert Museum, St. Marks, the Medici Chapels, the Museum of the Works of Santa Croce, the Museum of the Cloister of Santa Maria Novella, the Zoological Museum ("La Specola"), the Bardini, and the Museo Horne. There is also a wonderful collection of works by the modern sculptor, Marino Marini, in a museum named after him. If photography is your interest, you should not miss the superb collection of works by the early photographers, the Alinari brothers. The magnificent Strozzi Palace is also the site of many special exhibits.

Top 5 Things to Check Out in Florence, Italy

Hotel Mario's is very near to the most important spots in Florence!!! Ask the staff and your stay will be amazing!!!

Santa Maria del Fiore:
The fourth largest church in Europe, its length being 153 metres (502 ft) and its height 116 metres (381 ft).

San Giovanni Baptistery:
Located in front of the Florence Cathedral, it is decorated by many artists, notably by Lorenzo Ghiberti with the Gates of Paradise.

Basilica of Santa Maria Novella:
Located in Santa Maria Novella square (near the big Firenze Santa Maria Novella railway station) this contains works by Masaccio, Paolo Uccello, Filippino Lippi and Domenico Ghirlandaio. The great façade was made by Leon Battista Alberti.

Basilica of Santa Croce:
The principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 metres south east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, Foscolo, Gentile, Rossini, and Marconi, thus it is known also as the Temple of the Italian Glories (Tempio dell'Itale Glorie).

San Marco:
A complex comprising a church and a convent. The convent, which is now a museum, has three claims to fame: during the 15th century it was home to two famous Dominicans, the painter Fra Angelico and the preacher, Girolamo Savonarola. Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo.

Basilica of San Lorenzo:
One of the largest churches of Florence, Italy, situated at the centre of the city's main market district, and the burial place of all the principal members of the Medici family from Cosimo il Vecchio to Cosimo III.

Santo Spirito:
Located in the Oltrarno quarter, facing the square with the same name. The building on the interior is one of the pre-eminent examples of Renaissance architecture.

Orsanmichele:
This building was constructed on the site of the kitchen garden of the monastery of San Michele, now gone.

Santissima Annunziata:
A Roman Catholic basilica and the mother church of the Servite order. It is located on the north-eastern side of the Piazza Santissima Annunziata.

Ognissanti:
Founded by the lay order of the Umiliati, this was among the first examples of Baroque architecture built in the city. Its two orders of pilasters enclose niches and windows with fantastical cornices. To the left of the façade is a campanile of thirteenth and fourteenth-century construction.

Santa Maria del Carmine:
in the Oltrarno district of Florence, it is famous as the location of the Brancacci Chapel, housing outstanding Renaissance frescoes by Masaccio and Masolino da Panicale, later finished by Filippino Lippi.

Santa Trinita:
It is the mother church of the Vallumbrosan Order of monks, founded in 1092 by a Florentine nobleman. Nearby is the Ponte Santa Trinita over the river Arno. The church is famous for its Sassetti Chapel, containing notable frescoes by Domenico Ghirlandaio.

Medici Chapel in San Lorenzo:
The Medici Chapel are the resting place of most of the Medici as Grand Dukes of Tuscany. One is the Sagrestia Nuova, the "New Sacristy", designed by Michelangelo. The other is the Capella dei Principi, the 16th and 17th-century "Chapel of the Princes", which is entirely covered with a revetment of colored marbles inlaid with pietra dura.

San Marco:
Comprises a church and a convent. The convent, which is now a museum, has three claims to fame: In the 15th century, it was home to two famous Dominicans, the painter Fra Angelico and the preacher, Girolamo Savonarola. Also housed at the convent is a famous collection of manuscripts in a library built by Michelozzo.

Santa Felicita:
is a church in the downtown, probably the oldest in the city after San Lorenzo.
Badia Fiorentina
Famous as the parish church of Beatrice Portinari, the love of Dante's life, and the place where he watched her at mass, for Dante grew up across the street in what is now called the 'Casa di Dante', rebuilt in 1910 as a museum to Dante.

San Gaetano:
One of the most important examples of the Baroque style in Florence, a city better known for its Renaissance architecture.

San Miniato al Monte:
Standing at one of the highest points in the city, this has been described as the finest Romanesque structure in Tuscany and one of the most beautiful churches in Italy.

Florence Charterhouse:
A charterhouse, or Carthusian monastery, located in the Florence suburb of Galluzzo, in central Italy. The building is a walled complex located on Monte Acuto, at the point of confluence of the Ema and Greve rivers.

Great Synagogue of Florence:
A magnificent synagogue built between 1874 and 1882. The design integrates Islamic and Italian architectural traditions.

EXPLORING FLORENCE..........

Reserve a room at Hotel Mario's!!! The staff is very helpful and gives you many advices!!!

The city lies on the River Arno and is known for its history and its importance in the Middle Ages and in the Renaissance, especially for its art and architecture. A centre of medieval European trade and finance and one of the richest and wealthiest cities of the time, Florence is considered the birthplace of the Italian Renaissance; in fact, it has been called the Athens of the Middle Ages. It was long under the de facto rule of the Medici family. From 1865 to 1870 the city was also the capital of the Kingdom of Italy.

The historic centre of Florence attracts millions of tourists each year and was declared a World Heritage Site by UNESCO in 1982. Florence is widely regarded as one of the most beautiful cities in the world, and its artistic, historic and cultural heritage and impact in the world remains vast up to this day. The city has also a major European impact in music, architecture, education, cuisine, fashion, philosophy, science and religion. The historic centre of Florence contains numerous elegant squares (piazzas), Renaissance palaces (palazzi), academies, parks, gardens, churches, monasteries, museums, art galleries and ateliers. The city has also been nominated, according to a 2007 study, as the most desirable destination for tourists in the world.

The city boasts a wide range of collections of art, especially those held in the Pitti Palace and the Uffizi, (which receives about 1.6 million tourists a year). Florence is arguably the last preserved Renaissance city in the world and is regarded by many as the art capital of Italy. It has been the birthplace or chosen home of many notable historical figures, such as Dante, Boccaccio, Leonardo da Vinci, Botticelli, Niccolò Machiavelli, Brunelleschi, Michelangelo, Donatello, Galileo Galilei, Catherine de' Medici, Antonio Meucci.

XXVII FIRENZE MARATHON - 28th november 2010, Running in Florence

Meeting on Sunday November, 28th 2010 with the 27th edition of the International classic road race
The wrapping glamour of centuries of art, history and culture accompanies you step by step along the 42 kilometres and 195 meters of the Florence Marathon. A unique emotion which can be told only by those who have run in Florence and which has made the classic race of Florence an appointment that cannot be missed by thousand of sportsmen and enthusiasts who each year punctually come from all over the world on the last Sunday in November. The Florentine event has gained exponential importance during the recent years, so much that on last November 29th on the occasion of its XXVI edition a new record of participants has been achieved with over 10.166 runners (7.425 Italians and 2.741 foreigners) coming from 57 countries.
The record of the men’s race has been established by the 24-year old Kenyan James Kutto who won his race in 2h08’41”: fourth time ever for the winner of an Italian marathon. A record has been achieved also with regard to the number of athletes crossing the finishing line: 8.206 runners. Amazing numbers, in witness of a development both numerical and qualitative, which has transformed the Florence Marathon into the second Italian marathon second to the Rome race.
An event, which is not only a sport event, but also a custom and cultural enchanting event. This is the common feeling joining thousands of runners and shared by the large audience of Raitre channel, watching the three-hour live broadcast of the XXVI Florence Marathon by Tgs-Raisport. This is the fifth consecutive year dedicated by Rai to the live broadcast of the Florentine event, as well-deserved appreciation of the growing importance this event has achieved during the recent years. Mentioning numbers only, however, won't convey the right value to a marathon which has now reached full excellence as to its organizational level and which can boast an exceptional stage such as the city of Florence, unique in the world for its beauty and atmosphere.

Basilica di Santa Croce: Firenze

The Basilica di Santa Croce (Basilica of the Holy Cross) is the principal Franciscan church in Florence, Italy, and a minor basilica of the Roman Catholic Church. It is situated on the Piazza di Santa Croce, about 800 metres south east of the Duomo. The site, when first chosen, was in marshland outside the city walls. It is the burial place of some of the most illustrious Italians, such as Michelangelo, Galileo, Machiavelli, Foscolo, Gentile, Rossini, and Marconi, thus it is known also as the Temple of the Italian Glories.
The Basilica is the largest Franciscan church in the world. Its most notable features are its sixteen chapels, many of them decorated with frescoes by Giotto and his pupils, and its tombs and cenotaphs. Legend says that Santa Croce was founded by St Francis himself. The construction of the current church, to replace an older building, was begun on 12 May 1294, possibly by Arnolfo di Cambio, and paid for by some of the city's wealthiest families. It was consecrated in 1442 by Pope Eugene IV. The building's design reflects the austere approach of the Franciscans. The floorplan is an Egyptian or Tau cross (a symbol of St Francis), 115 metres in length with a nave and two aisles separated by lines of octagonal columns. To the south of the church was a convent, some of whose buildings remain.
In the Primo Chiostro, the main cloister, there is the Cappella dei Pazzi, built as the chapter house, completed in the 1470s. Filippo Brunelleschi (who had designed and executed the dome of the Duomo) was involved in its design which has remained rigorously simple and unadorned.
In 1560, the choir screen was removed as part of changes arising from the Counter-Reformation and the interior rebuilt by Giorgio Vasari. As a result, there was damage to the church's decoration and most of the altars previously located on the screen were lost.
The campanile was built in 1842, replacing an earlier one damaged by lightning. The neo-Gothic marble façade, by Nicolò Matas, dates from 1857-1863.
A Jewish architect Niccolo Matas from Ancona, designed the church's 19th century neo-Gothic facade, working a prominent Star of David into the composition. Matas had wanted to be buried with his peers but because he was Jewish, he was buried under the porch and not within the walls.
In 1866, the complex became public property, as a part of government suppression of most religious houses, following the wars that gained Italian independence and unity.
The Museo dell'Opera di Santa Croce is housed mainly in the refectory, also off the cloister. A monument to Florence Nightingale stands in the cloister, in the city in which she was born and after which she was named. Brunelleschi also built the inner cloister, completed in 1453.
In 1966, the Arno River flooded much of Florence, including Santa Croce. The water entered the church bringing mud, pollution and heating oil. The damage to buildings and art treasures was severe, taking several decades to repair.
Come and stay at Hotel Mario's and the staff will help you to visit the amazing city of Florence!!!

Calcio storico Fiorentino ( Historical soccer )

In the historic Greece came commonly carried out ludiche recreations with the ball, organizing contests from the names of "Feninda", "Episciro", and, more known, than "Sferomachia" (that it drew the name just from the sphere in game), in which two groups of equal number of players, rury compete to take the ball, offered a more varied and competitive show that, al same time, comprised the exercize of the race, the jump and the fight.

From the Greeks, this ludo, passed to the Roman which, with the name of Harpastum (torn to force) played it on the sabbiosi lands (for which the name harpastum often he was aggettivato with pulveruleotum) practicing to precise rules to which the two squares, always of equal number of players, had to be adhered.

The sport is a cross between Greco-Roman wrestling, rugby and soccer. Goals are scored by pitching the round red and white leather ball over a four-foot high wooden wall that runs the full width at each end of the field. Quixotically, a tall narrow white tent with red trim and a small red flag on top is positioned in the center of each goal wall. In front, stands the captain of a team and a standard bearer with the team flag. When a team scores, the cannon is fired, the scoring team's standard-bearer runs the length of the field waving his flag with his team running behind, cheering. The other team's standard bearer slinks down the field and the teams change goals.
Although the Calcio Storico of today is based on a memorable game held in 1530, the sport actually may have begun as far back as the 1400s. The original games continued until 1739 in Piazza Santa Croce. After a couple centuries of Calcio Storico hiatus, the Fiorentini brought the sport back as an annual event in 1930.
According to ancient testimonies "the game of soccer" is been born "on the river of Arno" and after centuries it is only trasmigrate on that one of the Tamigi where, changed the name in Foot-Ball (game of the ball to foot) and affinaterules, have achieved that reputation, today, universal recognized. Fiorentino Soccer , said also "soccer in custom" or "soccer in livery", is a game that sinks its roots in remote times, the first Italian dictionary of 1612, of the Academics of the Bran, confirms the thesis supplying the following definition: "... the name of a game, just and ancient is soccer also of the city of Florence, like battles ordered, passed from Greek to Latin. Therefore ancient game "just c" of Florence the whose origins, remotest, go then but tried before from the Greeks and from the Latins.
owadays three matches are played, by teams drawn from Florence's four major neighborhoods, in Piazza Santa Croce, on 16th, 24th, 30th of June on the recurrence of the patron -saint. After the long parade headed by the nobles on horseback, starting in Santa Maria Novella and culminating in Piazza Santa Croce, the game begins to cries of Viva Firenze! It is an hour of continuous struggle, attacks, scuffles, blows and tangling of bodies dressed in fifteenth-century costumes. It is intended to echo the famous match of 1530, in the desire to revive and to record a memorable page of the city's glorious history.After a three year pause the Florentine “Calcio” came back last year with friendly match and what about this June 2010? If you come in that period of the year, stay at Hotel Mario's, we are in the city centre, just few metres far away from Piazza Santa Croce where Soccer is played. It will be a real Florentine experience.
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